Saturday, September 9, 2017

Sex in the '90s

That's 90s as in age, not as in the 1990s, and the nonagenarian in this first-person excerpt from my novel The Emmeline Papers is the feisty, eccentrically iconoclastic Emmeline Mandeville, who is as unashamedly sexual at 92 as she was at 19, back in the final years of Queen Victoria's reign. 

Emmeline was a minor character in my novel After Sara's Year, but she turned out to be pushy enough that she wasn't shy about demanding a book of her own! The Emmeline Papers is the result. I hope she approves...even if The Emmeline Papers is not all about her. 

Rather, Emmeline's frank and funny musings on life and aging frame the compelling story of the friends and lovers who find themselves living in her London townhouse 14 years after her death (the London town house on the book cover.)

Even if no author (like no parent) should ever name a favorite offspring, I have to confess that Emmeline is one of mine!


I have always enjoyed sex. That may not be a shocking admission in 1974. Even in this age, however, many would find it startling to hear it from a woman of my years. Yet, for a woman born when Victoria reigned to say how much she relishes sex, and to speak it out loud with neither blushes nor shame? That is shocking. Or it would be were any of my more strait-laced relatives or contemporaries still alive to be shocked.

Women of my generation were expected to squeeze our eyes shut, do our duty to Queen and country and produce an heir and a spare. We were expected to tolerate sex as necessary to the perpetuation of our lineage and to the survival of the Empire. We were not expected to savor it. We were absolutely not expected to seek it out — within a marriage or, worse, outside of it.

Sexual mores loosened up after the First War, of course, but I had not waited. I was nearing my forties by then and was already in possession of a past that no amount of smelling salts could have successfully revived Grandmama had she learned about it. I had a body, albeit an unshapely one, and I saw no reason why I should not extract from it as much pleasure as it could offer me. Nor did I see any reason to limit myself to men of my own class…or to men at all, come to think of it. ...

And orgasms? If a woman of my era admitted to having had one, if she were shameless enough to utter the word, that woman was viewed as little better than the most common of prostitutes. How ironic that Victoria should today be seen as the primmest, most prudish and most humorless of monarchs...of women. I do not believe it. Not for an instant.

I have manifestly enjoyed mine through seventy years and a good score or more of able partners. Had Jeremy been unable to match if not surpass the prowess of his predecessors, I could not have married him, regardless of his other attributes, however admirable.

For a man with so little experience of women before me, Jeremy is surprisingly adept and pleasingly passionate. Frankly, if I didn’t fear that it would give him a heart attack, I would choose to die in bed with him, in mid-orgasm. I cannot imagine a more satisfying end. Can you?

Excerpted from The Emmeline Papers © 2017 Mark David Gerson

• • • For more excerpts from all my books, visit my author page on Bublish • • •


Get your copy of The Emmeline Papers today! In paperback or ebook from major online booksellers, or signed by me to you from www.thesarastories.com


Sunday, June 25, 2017

When Storytelling is "a Matter of Death...and Life!"


"My characters are as real to me as any flesh-and-blood personage, and I am grateful to them for continuing to live out such fascinating lives and for continuing to compel me to tell their stories." 

When the first words of what would become my first novel surged out of me 23 years ago in a Toronto writing workshop that I was facilitating, I couldn't know how much my life was about to change.

Within seven months, I would sell everything I owned, buy my first car and move a thousand miles east to rural Nova Scotia. A few years after that, I would sell up again and find myself living in a new country, embarked on a journey that I could never have dreamed up in my wildest imaginings.

Perhaps one of the biggest surprises would be the one that continues to astound me: I became an award-winning author and optioned screenwriter.

The child I was would never have wanted to be a writer. The child I was didn't believe he was creative and wasn't interested in being proven wrong. The child I was didn't trust his imagination, wasn't even sure he had one.

Yet, as I chronicle in Acts of Surrender: A Writer's Memoir, my Muse had other ideas, fiendishly applying its tricksterish ways to bamboozle me onto the writerly path I have been following since the morning after that Toronto workshop, when I picked up those rough jottings, curious to see where they might lead. They led to The MoonQuest, which like all those Biblical "begats" have carried me forward to what is now my 15th book and sixth novel.

I shared a bit about the peculiar genesis of that novel, The Emmeline Papers, in my most recent newsletter. In short, it was neither a book I expected to write nor the book I thought it was going to be once I started writing it. Not for the first time, my characters had their own idea of the story they wanted from me.

6 Characters in Search of An Author posterIt's a situation that reminds me of Pirandello's Six Characters in Search of an Author, a stage play where six strangers interrupt a theatrical rehearsal and introduce themselves as unfinished characters who are seeking an author to finish their story. Like Pirandello's, my characters are as real to me any flesh-and-blood personage and have no hesitation in hijacking my writing enterprise to demand that their story be told – their way.

I'm not complaining. Their way has consistently proven itself to be more entertaining, inspiring and captivating than mine could ever be. From a writer's perspective, their way has also been consistently more challenging.

The Emmeline Papers was no exception. Both in terms of craft and content, the story never stopped challenging me – pressing me not only to sharpen my storytelling skills but to dig deeper and deeper within myself for the not-always-comfortable emotional truths that it required and demanded. I should have expected no less from a story that, early on, gave itself the tagline "it's a matter of death...and life!"

Until now, my novels have revealed little of themselves to me in advance. I don't outline, and I generally discover the story I'm writing much the same way that you discover it as its reader: page by page and chapter by chapter. After Sara's Year, my fifth novel, was the first to divulge its ending to me early in the process.

With The Emmeline Papers, the story was considerably more forthcoming – once it had shanghaied my initial concept, that is, and replaced it with its own!

My original idea was to weave two interrelated threads: the story of the eccentric, singleminded Emmeline Mandeville and the story of how copies of her memoir happen to fall, independently, into various related characters' hands.

In The Emmeline Papers as it wrote itself through me, Emmeline spends the final months of her 93rd year reflecting on her iconoclastic past, never imagining  how profoundly her reminiscences will weave through the lives of the men and women who find themselves living in her house a decade and a half later.

If you have read my earlier Sara stories, you will recognize those men and women as Sara, Mac, Bernie, Erik and Sadie. However, you needn't have read Sara's Year or After Sara's Year to laugh and cry your way through the The Emmeline Papers. Nothing about Emmeline requires any prior knowledge of its characters or their previous exploits.

About those characters: I can't begin to tell you how grateful I am to them for continuing to live out such fascinating lives and for continuing to compel me to tell their stories – their way.

I foresee one final installment in these Sara Stories. In fact, if you promise not to tell anyone, I'll share a secret with you: I have already written the opening paragraphs of an opening chapter to this next novel. This time, I have neither title nor concept. This time, all I have is a character and a time frame. Who knows whether either will prove to be accurate!

But that's a story for another day. Today's is The Emmeline Papers, and I'm excited to be able to share it with you – especially as early reviewers have uniformly praised it as "brilliant"!

Although the book launches officially on July 9, the 20th anniversary of my arrival in the US, I am asking you to preorder your copy today. Why?
• All ebook preorders are counted as opening day sales, and it's those numbers that can propel a book to bestseller status on Amazon and other sites
• I have a limited number of paperback copies available for preorder, and I'd hate for you to miss out!

Here's what to do:
• Preorder The Emmeline Papers in ebook today from any Kindle, iBooks, Google Play or Kobo store, and get your copy delivered on July 9
• Preorder your paperback copy of The Emmeline Papers from my website and there's a good chance that you will be reading your signed copy before it's available for general release!

One final note: Just as I am fussy about my first name (it’s "Mark David," not "Mark" or "David"), Emmeline is particular about hers. Emmeline pronounces it so that it rhymes with mine not with mean.


Wednesday, March 29, 2017

My Muse: A Trickster Extraordinaire!

Bugs Bunny



"Your book is a trickster!"
– Book-Birthing Rule #9, Birthing Your Book…Even If You Don’t Know What It’s About




The “trickster” exists in many cultures. In myth, think leprechauns (Ireland), coyotes (U.S. Southwest), the Greek god Dionysus and the Hawaiian/Polynesian demigod Maui. In literature and popular culture, think A Midsummer Night’s Dream’s Puck, King Lear’s Fool (along with every court jester ever conceived), Q in Star Trek: The Next Generation, Bart Simpson, the Pink Panther and Bugs Bunny.

In short the trickster is an archetypal figure that dupes its victims into doing its bidding. Mischievous by nature, it will lie unashamedly and break any rule to get its own way. 


Coyote Medicine CardTo date, I have written five books on writing and each includes some version of what I say in Birthing Your Book’s Rule #9: “As you craft the book you think you are writing, [your book and your muse] will often trick you into writing something you never expected to write, something you never thought you wanted to write, something, perhaps, that is uncomfortable to write.”

When the idea came to me for The Emmeline Papers, the third book in my award-winning Sara Stories, it was going to focus on one of the minor characters in After Sara’s Year: Mac's quirky, eccentric, single-minded Aunt Emmeline Mandeville. The idea for the story arrived nearly fully formed (or so I thought), along with the title. 


Had I been smart, I would have remembered not only my Book-Birthing Rule #9, I would have recalled how that same tricksterish rule played out in Sara’s Year, the first of my Sara novels.

When I sat down in a Santa Monica Starbucks to begin Sara’s Year, I also had a concept and a title. The title never changed, but my original idea vanished within minutes of launching into that first day’s writing.

Q in Star Trek: TNGBecause, like lightning, a trickster never strikes twice in precisely the same place or the same manner, my experience with The Emmeline Papers was entirely different, if with the same ultimate effect: The title has not changed but everything else about the book has!

Part of the impetus for that change came from a book that I was asked to not only edit and design but contribute to, an anthology titled Still Me…After All These Years: 24 Writers Reflect on Aging.

I began my first draft of Emmeline the same way I began my very first novel: in a writing workshop I was leading. This time, I was teaching at Unity Santa Fe, not in my long-ago Toronto living room. And this time, I assumed that I knew what I was doing. (Never assume anything!)

Twenty-three years earlier at that Toronto workshop, I had felt guided to participate in a writing exercise that I was facilitating. The result eventually became The MoonQuest, and that evening’s writing would become an integral part of the novel.

Still Me coverWith Emmeline, I set out to begin a novel whose plot I believed I knew. Within a few weeks, however, I had trashed that opening scene and begun again, from an entirely different premise.

(This time I didn’t dare fight the title, which insisted on remaining intact. With Sara’s Year I did fight it, only to discover in the final scene of the first draft why that title was perfect!)

What happened to me that changed the Emmeline story? Author Karen Helene Walker, who had conceived and was compiling the Still Me anthology, sent me the first of its essays to edit.

Those, along with the essays and poems that followed in the ensuing weeks, moved me, inspired me, made me laugh, made me think and, in a few instances, made me cry. As a 62-year-old, I also recognized myself and my experiences, joys and concerns in many of them.

But the Still Me essays did more than that. The more I read, the more I began to think about Emmeline and her “papers” in a whole new way. It didn’t take long before I realized that the book I thought I was writing was to be something else altogether — something more engaging for its readers and, for better or worse, more emotionally and creatively challenging for its author.

The Emmeline Papers coverIronically, The Emmeline Papers is not a book about aging. All tricksters move in strange and mysterious ways, and my trickster-muse is no different. Aging is a component of Emmeline, but the story is more about many of the things that we experience regardless of our age. It’s about hopes and dreams. It’s about mortality and death. It’s about fear and courage. It’s about loss. It’s about relationship. It’s about life. It’s about many of the themes addressed — both touchingly and humorously — in Still Me…After All These Years. (And for fans of Sara’s Year and After Sara’s Year, it’s about far more than Emmeline: All your favorite characters are back for this third installment of the series.)

It will be a couple of months before you can get your hands on The Emmeline Papers (I’m aiming for a late spring release, but you can preorder your copy now). However, Still Me…After All These Years is available today and well worth the read, regardless of your age. And I’m not just saying that because I’m a contributor!


The Pink PantherAnd what about my contribution? It also links back to The Sara Stories. It’s called “It’s Never Too Late to Follow Your Dreams” and it tells the story of how I came to write Sara’s Year. A series of age-related health scares forced me to ask myself the question many of us of a certain age find ourselves asking, even without medical prompting: “If I’m to die sooner rather than later, what is it that I want to make sure I do before I go?”

It won’t surprise you (though it did surprise me!) to discover that it’s a question that also pops up in The Emmeline Papers.


As I move forward with Emmeline, I continue to be struck by the creatively tricksterish wiles of my muse and I have to wonder whether the fourth and final book in The Sara Stories (as yet untitled) will bear any resemblance to my current notion of it!

Meanwhile, The Emmeline Papers continues to unfold, thanks in some measure to the gifted and engaging contributors to Still Me…After All These Years!

Saturday, January 21, 2017

Larger Than Life

Barbra Streisand in concertSome years back when I was visiting Toronto, a friend treated me to a ticket to Barbra Streisand's first-ever concert performance in that city. Although we were sitting high in the rafters in a hockey arena that was anything but intimate, I was startled by how fully and personally her energy filled every corner of that venue.

"She's larger than life," I remember gushing to my friend at intermission.

I recalled the experience a few months later while listening to a recording of the concert. “That’s what I want,” I heard myself blurt out loud and was so startled by what seemed such an unspiritual, ego-driven thought that I was embarrassed. It would be a few months more before I was able to recognize the deeper meaning of both the Streisand experience and my response to it.

“Larger than life,” I realized, was not about having Barbra Streisand’s fame. It was about continuing to shed whatever self-imposed limitations I still carried within me in the mistaken belief that they could protect me from some undefined evil. Even if I couldn’t detail all the ways I was holding myself back, I knew that I was.

Return to Love book cover"Our deepest fear," writes Marianne Williamson in A Return to Love, "is not that we are inadequate. Our deepest fear is that we are powerful beyond measure." Perhaps even deeper than the fear she describes is the fear of experiencing and expressing our power out in the world, of being larger than life, of living beyond the self-imposed walls and barriers we create in the mistaken belief they will keep us safe.

They can't and they won't.

Our only safety resides in living our largest life to its fullest potential, in living our truth...in living our passion. In walking through life as though we are safe...as though nothing can stop, limit or restrict us.

As I write this, an old Cole Porter lyric keeps running through my head:

Oh, give me land, lots of land under starry skies above / Don't fence me in

At a literal level, the song is sung by a cowboy who longs for the endless space of the open range.

Yet it's also the song of every soul deprived of its fullest expression by the fences of a fearful mind, a soul that seeks only the limitlessness of its natural state.

Whatever you think of Barbra Streisand's talent or personality, when you are in her energy field, you touch that limitlessness and your soul cries out, "Me too! That's who I am, too!!"

Here in the Western world, where we have been taught to play small, we transfer all of our natural desire for the fenceless world of a life lived large to our movie stars and sports heroes.

If we can't play out our own passion and power, we play it out through a celebrity cult that's no healthier than any other cult, one we also find in countries with charismatic leaders/dictators, in religions with unapproachable gods and in all situations where we abdicate the expression of our infinite nature to someone or something outside of ourselves.

Q'ntana Trilogy book coversIn my novel, The MoonQuest, very much a metaphor for all our journeys, the main character is destined for a greatness he continues to resist. Yet destiny, as he is constantly reminded, is not cast in stone. There is always a choice.

"Every choice you have ever made, has led to this moment. Your moment. Still, the power to make a different choice remains yours."

The power to choose is always ours. In every moment and through every situation, we're offered the opportunity to choose our greatness, our passion, our light.

It's what we do with each moment and situation that governs our destiny, that decides whether we live in our greatness or in the shadow of someone else's, that determines whether we build fences or tear them down.

In this moment, what do you choose?

Adapted from Acts of Surrender: A Writer’s Memoir © 2012, 2013 Mark David Gerson


• Look for The MoonQuest and Acts of Surrender: A Writer's Memoir in paperback or ebook from your favorite online bookseller or signed by me to you from my website.

Sunday, November 13, 2016

Election Night 2016: It's 2:30am and I Can't Sleep..

Because I knew that, regardless of the outcome, I was bound to be stressed by Election Day reporting, I purposely avoided all news, including my Facebook news feed until bedtime.

I fell asleep early but woke, stressed, 90 minutes later. Unable to get back to sleep, I broke my "news fast," hoping that good news would ease my anxiety. As you likely know by now, the news – at least as I saw it – was not good.

After obsessing online for an hour, I tried again to sleep. Again, I was unsuccessful. Finally, I did what I do best: I put what I was feeling into words and posted it on Facebook.

Some of those who read my words found them inspiring and comforting and encouraged me to share them here and in my newsletter


To be clear, this is not intended as an attack on anyone's voting choices. It is an expression of how I felt on election night and how I continue to feel days later.


inspirational quote
It's 2:30am, and as I lie in bed unable to sleep, I feel moved to set down my thoughts about tonight's election results – as much to put something into words for myself as to share those thoughts with you. Maybe thinking "aloud" will help still my mind and free me to sleep. Maybe it will help someone reading this to do likewise. I hope so, on both counts.

I will try, in the days ahead, to find some redemptive value in what has just happened, as I do my best to do with all perceived setbacks. I know that redemptive value is there because it is always there, somewhere in the "big picture," even if it is not always easily visible.

For right now, though, I'm just heartsick...
  • For my daughter, who will spend the next four years governed by men and, yes, women, who have demonstrated little respect for the wisdom I know she possesses to make wise and considered choices about her needs and about her body
  • For my lesbian and gay sisters and brothers, who will spend the next four years governed by men and women who have vowed to strip us of our human rights
  • For my Jewish coreligionists, who will spend the next four years governed by an administration endorsed by rabid antisemites
  • For the millions who, like me, are certain to lose our health insurance if, as promised, Obamacare is repealed 
  • For my black, Muslim, latino and other minority friends, who will likely continue to be insulted and disrespected, now at the highest levels of government
  • And for everyone of compassion in this country and beyond who respects human dignity and human rights. 
It is easy to be frightened and angry right now. I have been both over the past several hours and have yet to let it all go. It is easy, too, to demonize and blame. I have done those, too. It is also hard not to feel powerless. I have felt that as well.
inspirational quoteBut it is fear, anger, blame and feelings of impotence that created tonight's results, that got us into this situation. They cannot get us out of it. They will not get us out of it.

I wish I had an easy alternative to offer, for myself as much as for those of you who have been feeling as I do. Unfortunately, there are no simple solutions, no quick fixes, despite what some of those elected tonight might believe.

There is only the always difficult, moment-to-moment step of acknowledging our feelings, of not letting our fears and anger rule our words and actions, of not giving in to despair, of continuing to do our best to be the best we can be and of continuing to keep our hearts as open as we are able, as heartsick as we might feel in many of those same moments.

It is difficult for me to feel hopeful at 2:50am, when it seems as though this darkness I am experiencing will never lift. I don't imagine it will be a whole lot easier when light dawns in a few hours.

Yet in moments like these, hope is all I have. In moments like these, I have to push myself to remember that without hope, I have nothing.

Is that simplistic? Perhaps. But if it gets me to sleep tonight and, coupled with constructive word and action, gets me through the next days and months, it will be enough. It will have to be.

One final thought before I switch off the light and try again to sleep: I told a friend earlier today on a different topic that when times are tough, writing is the only thing that makes sense for me. Perhaps what I should have added is that when nothing else in my life seems to make any sense, writing is often the only thing that helps me to understand what I'm feeling and to find sense in the seemingly senseless. It has certainly begun to do that for me just now.

Perhaps my sentences are the seams that hold me together. Perhaps, that's the real reason I write. Perhaps, in the end, it's the only reason.

I invite you to share your feelings, experiences and comments. Please note, however, that insulting or inflammatory remarks will not be posted.


Saturday, November 5, 2016

Not Just for NaNoWriMo: My Top 10 WritingTips

I am often asked at the end of an interview whether I have one piece of advice for the writers listening to the show. Or, if it's November, whether I have pointers to offer those writers cranking out a 50,000-word novel as part of National Novel Writing Monthor NaNoWriMo, as it's popularly called.

My problem with the question is not that I can't answer it. My problem is that I have more to say than the allotted time will allow! 

My solution? This blog post, timed to coincide with NaNoWriMo but filled with suggestions that will work for you year-round. All apply to fiction or screenplays; many are equally relevant regardless of your form, medium or genre. So, here goes...





My Top Ten Writing Tips for Authors & Screenwriters


1. You Don't Have to Know What Your Book Is About Before Starting.
I have rarely known what my books were going to be about before I began writing them. With three of them, I didn't even know I was writing a book when I started!

With The MoonQuest, for example, a writing exercise in a class I was teaching sparked a story I knew nothing about. When the class was over, I just kept writing...and a novel eventually emerged. The Voice of the Muse and Dialogues with the Divine each grew from journaled jottings that were never (consciously) intended for an audience. 

(It's those experiences that prompted me to write a book I did know I was writing and what it was about: Birthing Your Book...Even If You Don't Know What It's About, a step-by-step guide to getting your book written, whether or not you think you know what you're doing.)


2. You Don't Need to Plot, Plan, Outline or Otherwise Prepare. 
Of course, you can plot, plan, outline or otherwise prepare. There's no right or wrong way to write a book...or any other creative project. The only right-write way is the way that works for you on this book. (It might be different next time!) Just so you know, though, I have never outlined. Nothing. Ever. Not even my screenplays, which orthodox screenwriting lore would have you believe is compulsory. (That's why I wrote Organic Screenwriting: Writing for Film, Naturally – to free you from creativity-stifling orthodoxy.)

So how do you begin? With one word, any word. And then another and another and another. And another. No stopping. No editing. No censoring. No going back. Just racing forward through and past the fear, anxiety and inevitable nonsense and into the story that will reveal itself to you through the writing of it, if you get out of its way and let it. That's a Cliff's Notes version of my "Writing on the Muse Stream" method. Read more about it in any of my books for writers.


3. Forget the Rules. All of Them.
All my books for writers include a set of tongue-in-cheek "rules" for writers. And although they vary depending on each book's theme, they all share the same first and final rule: There are no rules. 

Whether during NaNoWriMo or at any other time, write the book (or short story or poem or screenplay or stage play or essay) that demands to be written as it demands to be written, not according to anyone else's rules or strictures, including those set out by the folks at NaNoWriMo.
  • You haven't started yet? Start today. Now. Or start tomorrow or the day after or next week. Just start!
  • Your book is a memoir or other non-fiction work? Or it's not a book at all but a screenplay? Celebrate the fact that you're writing something instead of beating yourself up for not having written a novel. The fact that you’re writing, that you’re moving forward with a project you’re passionate about, is more important than its form, medium or genre.
  • Your NaNoWriMo draft is shorter than 50,000 words? Celebrate that you've finished your draft instead of mourning the fact that you didn't meet NaNoWriMo's arbitrary word count.
  • You don't finish by NaNoWriMo's November 30 deadline...or by whatever deadline you have set for yourself? So what! However many words you have written are more words than you would have written had you not launched the process. When the time comes, celebrate that.


4. Don't Judge.
Just as you are not judging your process, don't judge your output. If you're participating in NaNoWriMo, you are racing against the calendar to meet a November 30 deadline and have no time to fix 'n fuss as you go. That's a good thing. The most uncreative thing you can do is edit while you write that first draft...of anything. NaNoWriMo or not, let your first draft be as chaotic, repetitive, inconsistent and illogical as it needs to be. Just get your story onto the page, however it comes out. Use subsequent drafts to polish, hone and refine your rough stone into the jewel it was meant to be. 


5. Trust Your Book & Its Characters.
Your book and its characters (if it's a novel) are smarter than you are. Get out of their way (and your own) and let them tell their story through you. Abandon control! 

6. It's Okay to Be Out-of-Order.
Like movies, which are rarely filmed in sequence, your first (or second or third) draft may not write itself in final book order. That's okay. In this as in all aspects of your writing enterprise, let the bits and pieces of your book or other writing project come as they come...and write them that way, knowing that your project's innate wisdom will determine the appropriate order when the time is right. 


7. Take Risks.
Creative expression is about risk-taking. It's about pushing boundaries – your own as well as those of others. It’s about boarding Star Trek’s starship Enterprise, taking off for parts unknown and journeying to the edges of the creative universe. Commit to taking more risks. Commit to the creative artist you are.


8. Do the Best You Can, and Let It Be Good Enough.
Your book may be excellent, accomplished, creative and insightful. It may be brilliant, compelling and universally lauded. But perfect? Not possible. It’s not possible because when we translate an idea or concept into language, we’re taking something that is infinite (energy) and dynamic (neural impulses) and converting it into something that is finite (language) and static (squiggles on a page). The resulting “translation” can never be more than an approximation. Do the best you can, and let it be good enough...because your book will never be perfect. Not. Ever.


9. Write
It seems obvious, particularly in a month devoted to novel-writing. But it can be easy to put writing aside in favor of research. It’s even easier to put writing aside while you try to figure what your book is about.

Don’t wait to figure out what your book is about. Don’t worry about its direction, theme, structure or focus. Don’t worry about chapter breaks (my first MoonQuest draft had none). Don’t worry about what people will think of it, or of you. Don’t worry about anything. Set pen to paper or fingers to keyboard and, without judging or second-guessing what emerges, let your book do its wizardly work – on you as much as on the page.

In other words: Write...the book (or other project) you didn’t know you had in you...the book you could never have imagined writing...the book you believed you could not write...the book that is yours to write. 


10. There Are No Rules
As I noted in Tip #3, this is the one rule that never changes. No matter what you’re writing, the only certainties are that flow is fluid, your creation is unique and your book makes its own rules. Truly, there is no universal right way or wrong way. There is only your way, the way of your book.



You may be wondering whether I have ever participated in NaNoWriMo. The answer is yes. Three years ago, I wrote The SunQuest, the third and final installment in my Q'ntana fantasy trilogy, during NaNoWriMo. Amazingly, I did it in 21 days. But not every book can be written in 21 days...or 30. The StarQuest, The Q'ntana Trilogy's Book II, took me 11 years and two false starts to get from the first to the final word of a first draft!

However long it takes, the important thing is that you're writing. So hurry up and finish this blog post, open your notebook or writing application and WRITE!

Oh, and don't wait until your book is finished and released to start promoting it on social media. The best time to start talking about it online and off is now...even if you haven't started writing it yet! My newest book –  Engage! Winning Social Media Strategies for Authors – has lots of tips to help you do just that!


Saturday, August 27, 2016

Writing as an Act of Pilgrimage

"Don't be fooled into thinking you are supposed to arrive at a destination. It is the going that is central, the you that is going. Your pilgrimage is really about yourself observing your own transit across the landscape."
– Richard Leviton, "Designing Your Pilgrimage"


Writing is also an act of pilgrimage. 

We set out on a journey, often intent on a particular direction and destination. Yet if we're true to our art and to our heart, we free the story to carry us where it will.

The resulting journey is one that reveals not only the story we're writing but the one we're living.

When we listen for the stories that move through us, we also discover the story that is us.

How has your writing been a pilgrimage? What has it taught you – about yourself, about your work, about the world?


• Need some help getting going? Check out my books and recordings for writers, along with links to many free resources, on my website.

• Read how my writing journey has been a pilgrimage in Acts of Surrender: A Writer's Memoir, in paperback or ebook from your favorite online bookseller or signed by me to you from www.actsofsurrender.com.

Photo: Mark David Gerson

Sunday, July 17, 2016

How Sara's Year Got Its "After"

When the earliest readers of Sara’s Year approached me in the days and weeks following the book’s publication, they spoke with a single voice, and an unexpected one: “We want more,” they cried. 

Many wanted to know what was next for Marc-Allan Cameron (Mac), the celebrity artist in Sara’s Year who turns out to be as unlucky in love as he is lucky with fame and fortune. Others demanded to know the fates both of Bernie Freed, the young man who walks out on his mother’s funeral and spends the rest of Sara’s Year discovering all that he never knew about her and about himself, and of his friend, Erik Donnekin. And what about the title character, still others asked: What’s her after Sara’s Year story?

As I wrote in the introduction to Sara’s Year (and in an earlier blog post), that book was sparked by a series of health scares, in the midst of which I asked myself what I would want to make sure I accomplished should the worst occur. The answer was a new novel. Sara’s Year was the result.

It was to be a one-off. When Sara’s Year was finished, I planned to produce a new book for writers

Sarah’s fans had other ideas. (That’s not a typo: There’s a reason why Sarah the character has a different spelling than Sara the book.)

At first I insisted that there would be no After Sara’s Year. I felt complete with the story and its characters and felt no call to continue the saga. But as readers continued to push and prod, I began to reconsider. 

In fact, the more I thought about it, the more I had to confess that I, too, was curious about the fates of Mac, Sarah, Bernie and Erik. But the character who most intrigued me, the one no one ever asked about, was Sadie Finkel. 

If you’ve read Sara’s Year, you’ll remember Bernie’s aunt as the quintessential alteh machashaifeh; that’s Yiddish for old witch (“that’s witch with a b”). Sadie was so utterly unpleasant in Sara’s Year that the author in me wondered how she had become that way and whether there could be any hope for her. 

It didn’t take me long to realize that the only way I would find out what happens to Mac, Sarah, Bernie, Erik and, yes, Sadie would be to write them into another Sara story. And now it's finished!

Although After Sara’s Year is, officially, the second book in what I am now calling The Sara Stories, you don’t have to have read Sara’s Year in order to be able to follow this new story. The two books are interconnected, but each telling stands on its own. 

By the way, The Sara Stories will not end with After Sara’s Year. I had barely begun a second draft of Sara’s Year when an idea for a third installment in the series popped into my head. No, I won’t be calling it After After Sara’s Year, but it looks as though it will include all your favorite Sara characters...plus more!

For now, though, I invite you to enter (or reenter) the world of Sarah and her friends in After Sara’s Year, the book I couldn’t have written without readers like you. And to encourage you, I have a special offer for you: 

Preorder your signed copy of After Sara's Year today, and start reading it before it hits bookstores!


You haven't read Sara's Year?
No problem. Each of the Sara Stories stands on its own!

Look for both books at
www.thesarastories.com 


While you're there, considering adding the award-winning Sara's Year to your order – for yourself if you haven't read it yet or for a friend if you have...or any of my other books. Just let me know to whom you want those signed as well. 


Marc-Allan Cameron hasn't felt alive in 30 years. 

For Sadie Finkel, it's been more than 50. 

When life comes knocking, will they let it in?


The newest spellbinding addition to the award-winning Sara Stories!

Preorder your signed copy today!


Preordered books will ship by mid-August, Priority Mail to US addresses. 
** Note to Canadian Readers: If there's a Canada Post shutdown, your books will ship once the labor dispute is over. To bypass Canada Post, contact me about UPS rates.

Thursday, July 14, 2016

Sara's Year: Now an Award-Winner!

In February Sara's Year was named the top 2015 medal-winner for general fiction in the New Apple Book Awards! This is a first literary award for Sara but a ninth for its author, with six prizes already received for The MoonQuest and two for The Voice of the Muse: Answering the Call to Write. Check out these critically acclaimed books today!

• Look for all my books on my website or in paperback or ebook from your favorite online bookseller.

• Preorder your signed copy of After Sara's Year, my sequel to the award-winning Sara's Year, TODAY! 

Thursday, May 26, 2016

R-E-S-P-E-C-T

This is a slightly edited version of piece that I originally posted to Facebook on May 24. Click here to view the original post and its comment stream.

If you  I have just unfollowed another Facebook friend because of a vicious, vitriolic post attacking one of the Democratic candidates. This one was venomously anti-Sanders from someone who is vehemently pro-Clinton. But there have been just as many, if not more, from Sanders supporters. That both sets of attacks have been far more searing than anything coming from the Republicans should concern anyone who cares about the future of this country, not to mention the future of political discourse. (See "Don't Be a Hater."

Unlike those whose posts I have reluctantly chosen to mute, I see the many positive qualities in both Democratic candidates; I also see the many flaws in both. As I view it, both are qualified to be President, either would bring unique skills, passions and gifts to the Oval Office...and neither would be perfect. Whichever one would ultimately make it to the top job would alternately delight and infuriate their followers; that's the reality of politics.

It's also important to note that neither would damage this country, its citizens and its world standing and reputation the way a Trump presidency would, if Donald Trump's public rhetoric is to be believed.

One side note: Anyone who thinks you can equate a Clinton presidency with a Trump presidency has not been listening to Donald Trump and the Congressional Republicans or to their allies...like the KKK, for example, which has trumpeted its support for Trump in the hopes that he will put Jews in their place. A Republican presidency and Congressional majority would destroy American's remaining international credibility, would do its best to dismantle what little social safety net we have, including Obamacare, and would continue to strip women and minorities of their rights, making certain that those changes are upheld with Supreme Court appointments.

I understand the passionate yearning for radical change, and I share it. However, if Trump and the Republicans are elected because those who should be opposing them are instead opposing each other, we will all get radical change – just not the kind any of us desires and definitely the kind it will take generations to overturn.

I also understand that the political process is fraught with passion, and that's a good thing. Passion fuels change. But wouldn't it be better to channel our passion constructively, using it to broadcast the solid qualities of our candidate rather than misusing it in vicious attacks that are too often grounded more in rumor than truth?

If all elections are important, this one is perhaps more important than most. Let's keep the debate alive, but let's dial up the r-e-s-p-e-c-t and crank down the vitriol, which seems to grow more rabid as each day brings us closer to the Democratic Convention. This country deserves more. We deserve more. 

I welcome your comments as to why your candidate is the best choice or what your experience has been with the campaign so far. Negative comments, simplistic comments or those that simply say something like "your candidate is no good" or "your candidate should drop out" will be deleted.