Sunday, November 15, 2015

My Top 10 Book-Writing Tips...

In an interview a few days ago, I was asked whether I had any tips for writers participating in National Novel Writing Month, or NaNoWriMo, as it's popularly called. I did, and it wasn't the conventional NaNoWriMo-related guidance, which is generally geared toward the nuts-and-bolts of cranking out a 50,000-word manuscript in 30 days.

(Yes, that's what NaNoWriMo is all about: spending November producing a novel-draft of at least 50,000 words.)

When the interview was over, I realized that much of the advice I had offered applied to all writers, not just NaNoWriters, and that it could be distilled into 10 tips. So here they are...

My Top Ten Tips


1. You Don't Have to Know What Your Book Is About Before Starting.
I have rarely known what my books were about before I began writing them. With The MoonQuest, The Voice of the Muse: Answering the Call to Write and Dialogues with the Divine: Encounters with My Wisest Self, I didn't even know I was writing a book when I started! It's those experiences that prompted me to write Birthing Your Book...Even If You Don't Know What It's About, a step-by-step guide to getting your book out, whether or not you think you know what you're doing.

2. You Don't Need to Plot, Plan, Outline or Otherwise Prepare. 
Of course, you can plot, plan, outline or otherwise prepare. There's no right or wrong way to write a book...or any other creative project. The only right-write way is the way that works for you on this book. (It might be different next time!) Just so you know, though, I have never outlined. Nothing. Ever. Not even my screenplays, which orthodox screenwriting lore would have you believe is compulsory. (That's why I wrote Organic Screenwriting: Writing for Film, Naturally – to free you from creativity-stifling orthodoxy.)

So how do you begin? With one word, any word. And then another and another and another. And another. No stopping. No editing. No censoring. No going back. Just racing forward through and past the fear, anxiety and inevitable nonsense and into the story that will reveal itself to you through the writing of it, if you get out of its way and let it. That's a Cliff's Notes version of my "Writing on the Muse Stream" method. Read more about it in any of my books for writers.

3. Forget the Rules. All of Them.
All my books for writers include a set of tongue-in-cheek "rules" for writers. And although they vary depending on the book's theme, they all share the same first and final rule: There are no rules. Whether during November's NaNoWriMo or beyond, write the book (or short story or poem or screenplay or stage play or essay) that demands to be written as it demands to be written, not according to anyone else's rules or strictures.
  • You haven't started yet? Start today. Now. Or start on Nov. 15 or Nov 20 or Nov. 30. Just start!
  • Your book is a memoir or other non-fiction work? Or it's not a book at all but a screenplay? Celebrate the fact that you're writing something instead of beating yourself up for not having written a novel. The fact that you’re writing, that you’re moving forward with a project you’re passionate about, is more important than form, medium or genre.
  • Your draft is shorter than 50,000 words? Celebrate that you've finished your draft instead of mourning the fact that you didn't meet NaNoWriMo's arbitrary word count. 
  • You don't finish by November 30? So what! However many words you have written are more words than you would have written had you not launched the process. When the time comes, celebrate that.

4. Don't Judge.
Just as you're not judging your process (see Tip #3), don't judge your output. If you're participating in NaNoWriMo, you're racing against the calendar to meet a November 30 deadline (See Tips #2 and #3); you have no time to fix 'n fuss as you go. That's a good thing. The most uncreative thing you can do is edit while you write that first draft...of anything. NaNoWriMo or not, let your first draft be as chaotic, repetitive, inconsistent and illogical as it needs to be. Just get your story onto the page, however it comes out. Use subsequent drafts to polish, hone and refine your rough stone into the jewel it was meant to be. 

5. Trust Your Book.
Your book and its characters (if it's a novel) are smarter than you are. Get out of their way (and your own) and let them tell their story through you. Abandon control!

6. It's Okay to Be Out-of-Order.
Like movies, which are rarely filmed in sequence, your first (or second or third) draft may not write itself in final book order. That's okay. In this as in all aspects of your book-writing enterprise, let the bits and pieces of your book come as they come...and write them that way, knowing that the book’s innate wisdom will determine the appropriate order when the time is right. 

7. Take Risks.
Creative expression is about risk-taking. It's about pushing boundaries – your own as well as those of others. It’s about boarding Star Trek’s starship Enterprise, taking off for parts unknown and journeying to the edges of the creative universe.  Commit to taking more risks. Commit to the creative artist you are.

8. Do the Best You Can, and Let It Be Good Enough.
Your book may be excellent, accomplished, creative and insightful. It may be brilliant, compelling and universally lauded. But perfect? Not possible. It’s not possible because when we translate an idea or concept into language, we’re taking something that is infinite (energy) and dynamic (neural impulses) and converting it into something that is finite (language) and static (squiggles on a page).  The resulting “translation” can never be more than an approximation. Do the best you can, and let it be good enough...because your book will never be perfect. Ever.


9. Write
It seems obvious, particularly in a month devoted to novel-writing. But it can be easy to put writing aside in favor of research. It’s even easier to put writing aside while you try to figure what your book is about.

Don’t wait to figure out what your book is about. Don’t worry about its direction, theme, structure or focus. Don’t worry about chapter breaks (my first MoonQuest draft had none). Don’t worry about what people will think of it, or of you. Don’t worry about anything. Set pen to paper or fingers to keyboard and, without judging or second-guessing what emerges, let your book do its wizardly work – on you as much as on the page.

In other words: Write...the book you didn’t know you had in you...the book you could never have imagined writing...the book you believed you could not write...the book that is yours to write. 

10. There Are No Rules
As I noted in Tip #3, this is the one rule that never changes. No matter what you’re writing, the only certainties are that flow is fluid, your creation is unique and your book makes its own rules. Truly, there is no universal right way or wrong way. There is only your way, the way of your book. 

My NaNoWriMo

You're probably wondering whether I have ever participated in NaNoWriMo. The answer is yes. Two years ago, I wrote The SunQuest, the third and final installment in my Q'ntana fantasy trilogy, during NaNoWriMo. Amazingly, I did it in 21 days. 

But not every book can be written in 21 days...or 30. The StarQuest, The Q'ntana Trilogy's Book II, took me 11 years and two false starts to get from the first to the final word of a first draft!

However long it takes, the important thing is that you're writing. So hurry up and finish this newsletter, open your notebook or writing application and WRITE!

And Now, for a Little Inspiration...


"You are a writer of power, passion, strength and courage."

An inspiring meditative experience designed to reaffirm your innate creativity, writing ability and identity as a writer

The audio is a track from my recording, The Voice of the Muse Companion: Guided Meditations for Writers, available on MP3 and CD on my website, from iTunes, Amazon, Google Play and CD Baby, and on Apple Music. The photography is mine; see more on Instagram (@markdavidgerson) or my photo website

No comments: