Showing posts with label Los Angeles. Show all posts
Showing posts with label Los Angeles. Show all posts

Sunday, March 1, 2015

A Novel Experience

During a radio interview last spring, I was asked whether I planned to write a fourth novel. At the time Organic Screenwriting: Writing for Film, Naturally had only just come out and the idea of taking on any new book project was far from my mind. "Sure, if inspiration strikes," I replied aloud, adding under my breath, "some distant time in the future."

Soon after, though, I found myself in the midst of a series of health scares, and one of the questions I had to ask myself was this: "If I am going to die sooner rather than later, what is it I want to make sure I do and/or experience before I go?" To my surprise, the first answer that bubbled up from deep within was "write another novel."

Still, I was in the midst of preparing for a trip to Los Angeles. Now was not the time to start a novel. I would think about it when I got back.

As usual, my Muse had other plans: "The time for a new novel is now," it insisted "or, at least, next week. Start it when you get to L.A."

As crazy as that sounded – not least because I had no idea what this next novel was to be about – I did just that. One evening, after dropping my daughter off at her mom's, I parked myself at a Santa Monica Starbucks (where else!?) and began to write.

Eight months passed. The health concerns that had so concerned me dissolved and my focus turned to a different book, Birthing Your Book...Even If You Don't Know What It's About, and then to a related "rebranding" of myself as The Birthing Your Book Guru.

Little did I know that this guru's most challenging client was to be himself!

My first hint of that came a few weeks ago when I was back in Los Angeles – this time to sign books at the Conscious Life Expo. Although I was nearly 10,000 words into a different book at the time (a new memoir ironically titled All That Matters Is That I'm Writing), it was my "Starbucks novel" that claimed my attention during an odd encounter at the Expo.

The curly haired man with dark, deeply set eyes who walked up to my table never gave me his name, but something about his presence immediately demanded my attention. He ignored my greeting as he studied my display of books. Then with a gaze of almost alarming intensity, he turned his attention to me.

"What's your rising sign?" he asked with no preamble.

"Virgo," I replied.

"When do you normally write?"

If you follow my work, you know that there is little that's "normal" about my work habits. One draft or book might write itself more easily in the morning, another in the afternoon, yet another late at night. That's what I told him.

"You need to be writing two hours before dawn," he proclaimed, backing it up with an astrological explanation that eluded me.

"Oh. Yeah. Okay," I said aloud. Not going to happen, I said to myself. I'm barely functional two hours after dawn, let alone two hours before. But when the next morning I awoke at 4:30, I decided to put the mystery man's theory to the test. I found the few pages of barely started novel on my laptop and picked up where I had left off.

I have been working on the novel ever since, though not before dawn.

It has not been easy.

Each of my 11 books has found fresh challenges to throw at me, and this new novel is no different. From its scope to its research needs to its semi-autobiographical nature, it tests me in every moment – emotionally as well as creatively. And it dares me to trust more fully and deeply than I have ever before dared – to trust myself, to trust my abilities and to trust a story about which I know little, except as it writes itself through me. The result? More resistance than I would care to admit to.

I was thinking about all this last night when a friend texted me: "I just felt called to pick up a copy of Acts of Surrender: A Writer's Memoir," he wrote. "I'm already reading it and loving every minute."

Suddenly I, too, felt an urge to open Acts of Surrender. And once I started, I couldn't stop – reading or sobbing.

Fifty pages later, I forced myself to put the book down; it was late and I could barely keep my eyes open.

What I realized, though, as I drifted off to sleep was that I had needed my own words and the example of my own life to remind me of who I am and what I’m about. I had needed them to get me past some of my resistance. I had needed them to get me to recommit to my writer self and to surrender to what can be the only thing of true importance in my life right now: this new novel.

Not for the first time in my life and probably not for the last, all that matters is that I'm writing.

Conscious Life Expo Photo: www.marlenaelise.com

Thursday, February 12, 2015

Déjà Vu All Over Again

To borrow from Yogi Berra, this has been a week of déjà vu all over again...sort of. Sort of, because although, on the surface it has been a week of reruns, digging a little deeper reveals it to have been more time warp than time travel.

Five years ago this week, like now, I found myself at L.A.'s Conscious Life Expo​, signing books and promoting my coaching services for writers. Five years ago this week, like now, I made a side to trip up to Ojai, in the hills above Ventura. Five years ago this week, like tomorrow, I will be returning to New Mexico via Sedona.

Of course, nothing has been exactly as it was five years ago, nor could it be.

Take my trip to Ojai, for example, which was to have focused on a return visit to Meditation Mount​, where I had such a transformational experience in 2010. Unlike five years ago, the property is now closed to the public on Mondays and Tuesdays, so no Meditation Mount!

The energy of this year's Expo, too, was different for me...although I can't quite touch what that difference was. And if, five years ago, I returned through Sedona to see my daughter, she's now in L.A. and a teenager – a very different parental experience!

Five years ago, my Expo experience sparked a move to L.A. and what I expected to be a powerful outward expansion of my work. Instead, my L.A. experience turned out to be the trigger for a return to New Mexico and a five-year period of personal and creative retreat, one from which I'm only now retreating – just as I find myself in L.A. for another Conscious Life Expo.

What does it all mean? Of course, my mind longs to make sense of the many parallels and synchronicities of the past week or so. And some sense may emerge in the days ahead. Or not.

All I can do is revel in the wonderment of what feels like a new turning point – even if I can't yet know what that turning point – and remember my own Rules #2 and #3 for Living a Creative Life:
Rule #2: Be In The Moment
What works for you today may not work tomorrow or ever again, so you might as well live in the present moment. Focus on now — on the breath you are breathing and the word you are writing. The next will always come if you don’t worry about it.

Rule #3: Listen To Your Heart 
Your heart speaks with the voice of God and the voice of your Muse (or whatever you call that divine/creative/infinite intelligence we all carry within us). Listen and trust that intuitive voice with neither judgment nor censorship. It’s wiser than you are and knows, better than you ever will, both the story you are living and the story you are writing. 

• Read more about my 2010 Conscious Life and Ojai experiences in Acts of Surrender: A Writer's Memoir

• Watch for a new book, still untitled and in its early stages, which will expand on the 13 "Rules" for Creative Living I outline in both The Voice of the Muse: Answering the Call to Write and Birthing Your Book...Even If You Don't Know What It's About

Saturday, June 7, 2014

What's That Muse of Mine Up To??

I was on author/radio host Karen Vaughan's radio show a few weeks ago when Karen asked me whether I had any plans to write another novel. At the time, my latest book (Organic Screenwriting) had only just come out and the idea of any new book was far from my mind. "Sure, if inspiration strikes," I replied aloud, adding under my breath, "some time in the future."

That exchange flashed briefly through my mind yesterday when I was updating some of the answers to the Q&A that writer Sandy S. Bazinet did with me on her blog this past spring. (I will be posting the updated version of that interview here on my blog next week.) One of Sandy's questions was "What are you working on right now?" At the time of the original interview, I said that I was just finishing From Memory to Memoir: Writing the Stories of Your Life. Yesterday, with both that book and Organic Screenwriting completed and published, I rewrote my answer to say that I was "taking a well-deserved break after having written two books back-to-back."

That, I thought, was that.

It wasn't.

Earlier today, I was chatting with a friend about our trip to L.A. next week and found myself mentioning that I was pretty sure that I had at least one more novel in me. I knew nothing about this next novel, I added, nor did I have any immediate plans to do anything to find out.

The words had barely left my mouth when I heard the voice of my Muse as clear and insistent as ever: "The time for a new novel is NOW," it insisted, "or, at least, next week. Start it when you're in L.A."

Start it next week? When I'm in L.A.? Are you crazy!!?

Even as my mind launched a volley of objections, I knew – with that some knowingness that has guided my life and creative life for nearly three decades – that my Muse was right. It is time.

I know nothing about this next novel I'm to write. But launching into it from that formless void out of which all creation emerges is how I have always written. And launching into it from L.A., the city which my heart keeps pulling me toward (even as New Mexico seems reluctant to let me go!), also feels perfect.

Of my nine published books, three completed screenplays and three stage-musicals-in-progress, only four of those projects have not originated in New Mexico. (I started The MoonQuest book when I was living in Toronto and The Voice of the MuseThe Book of Messages and The StarQuest when I was living in Sedona)

As I continue to set my sights on a full-time return to Los Angeles, it's interesting that I am to birth my next book in the city I hope soon to again call home.

Meantime, even before this afternoon's revelation, I had not felt called to make much in the way of plans for my L.A. sojourn. Even the sole Facebook friend I had hoped to meet in person (he lives close to where I'll be staying) will be uncharacteristically out-of-town during the precise dates I will be in his neighborhood! I will see my daughter, of course. I will go on some photography outings, undoubtedly. And there are a few meetings I will need to attend.

But I know now that none of those is the real reason I'm going to Los Angeles. I am going to birth a new book and – who knows? – perhaps a new life.


QUICK MDG LINKS

Monday, May 13, 2013

Mark David's Art: #126 - "City of Destiny"

A new blog series featuring my artwork, old pieces and new...



"It’s as though a fiery pilot light burns somewhere beneath L.A.'s endless sprawl, a flame that rekindles and renews my life force whenever I travel its streets and freeways and that calls to me wherever in the world I find myself."

Like my writing and photography, drawing just sort of snuck up on me. I never saw myself as an artist, and I was startled to sell my first piece. I was even more incredulous when other visual artists began to introduce me to their friends and colleagues as "a fellow artist"!

 And like my writing and other creative endeavors, drawing is a medium I don't plan out. I simply stare at the blank page until the first color and pencil stroke call out to me. As for the rest of the drawing, it's never any less an act of surrender.

To view/purchase any of my artwork or learn about my custom portraits, visit www.markdavidgerson.com/art.html
Direct Link to "City of Destiny"(#126)

Each 8.5" x 11" print comes with information about the drawing, along with instructions on how to tap into its potential as a crystal-like a tool for healing. All prints sell for US$10 each as a downloadable file that you can print out yourself or for US$20 (plus shipping) for a mailed print.

~~~~~

Please "like" these Facebook pages...
Please follow me on Pinterest and Google+

Sunday, September 12, 2010

Acts of Surrender 7: The Heart of Desire

This excerpt from Acts of Surrender, my memoir-in-progress, is a present-day story, centered around 9/11 and the days leading up to it.

“What do you want?” Adam asked as we walked along Laguna’s West Beach. The surf was gentle that afternoon, pushing toward us with no urgency and with just enough roll for the lone surfer to find some easy action.

I didn’t answer. I’d been in Southern California for four weeks and this was only my second time on the beach. But I’d been spending regular writing time near the water, either here in Laguna or at what had become a favorite Starbucks, a few minutes up the coast in Newport Beach. I loved being down here and, since arriving at Adam’s, had made the hour-long drive up to the city only once. If Los Angeles had pulled me here, Laguna Beach was seducing me.

“I don’t know,” I said after a time. “When I’m in L.A. and feel the buzz of the city, that’s where I want to be. When I’m down here in Laguna, I don’t want to be anywhere else. It’s as though there are two parts of me competing for my future.”

We walked in silence. I had taken my shoes off, and the sand squished between my toes. At the asphalt path to the street, I brushed off my feet, put my flip-flops back on and started up the hill toward the tiny Camel Point subdivision at the top. I stopped halfway up and looked back. In the silence of that no-man’s land between sea and city, I heard my voice echo back at me from a few days’ earlier, when I’d come to this same place with Adam and his realtor, to look at a Camel Point home. It was an amazing property, modern in design, with ocean views from every room but one.

If I lived here, I heard myself repeat from that earlier visit, I’d never leave.

“Shit,” I said out loud.

“What?” Adam asked.

“It’s L.A. It has to be L.A.” I started to cry.

When the call to leave Albuquerque for Los Angeles began to crystallize earlier this year, I realized it was about leaving my years of retreat and stepping back into the world. My most recent Albuquerque home had eloquently symbolized aspects of that retreat. Although I saw clients and facilitated workshops there, it was perched at the very edge of the city, high in the foothills of the Sandia Mountains, with nothing behind me but open space and mountain wilderness. I was living apart, as I had so often in the past. L.A., I sensed, would be about reinserting myself in the world — not as the world would have me, but as who I’d grown into.

My tears weren’t for Laguna Beach. They were for those parts of me that I was leaving behind, parts of me that wanted to stay in retreat but couldn’t, parts of me that I had outgrown. I was saying goodbye to what remained of the me-in-hiding, a me I could never be again.

If I chose Laguna, I’d be choosing the past. If I chose L.A., I would be stepping into my future...into fearlessness.

The next afternoon I drove into the city, with no set agenda other than to feel what it felt like to be there. As I raced up the 405, I kept glancing into the rearview mirror — not at traffic but at my new haircut. The old, fearful me would have put off dealing with my hair until some money had shown up. Had my hair grown too straggly to ignore, he would have settled for a SuperCuts-style walk-in. He never would have made a salon appointment.

I made a salon appointment.

It was the most expensive haircut I’d ever had...and the best. I felt great. I’d had an instant’s panic at the register, but it passed in a heartbeat. Now, the new-look me was driving to my new city, knowing only that I could no more settle for less than I knew I deserved in L.A. than I could for a second-rate haircut.

I didn’t know how it would all come together. I only knew that it would...that it would have to, not because I was afraid, but because I wasn’t.

I didn’t know how it would all come together. I only knew that it would...that it would have to, not because I was afraid, but because I wasn’t.

It was a new feeling — at the same time liberating and disorienting — and it carried me all the way through my apartment viewing at the resort-like Palazzo complex across from a favorite L.A. hangout, the outdoor Grove mall. I’d decided during the drive up that I would take a look at the Palazzo, without knowing precisely what lay behind its gates.

What will I say to the leasing agents? I wondered. After all, in that moment, both my finances and credit made it conventionally unlikely that I would be living there any time soon.

Convention be damned! I said out loud. I’ll tell them the truth, that it’s not about the size or type of unit. And it’s not about the cost. It’s about the feel of it. That’s all that matters.

When I drove away an hour later, I had one certainty: The Palazzo apartments weren’t good enough for me.

Again, it was a new feeling — acting as though money was not an issue and knowing with a certainty that surprised me with its ferocity that when the right place showed up, I’d know it. I’d know it and I’d be living there.

The “how” wasn’t part of my job description. My job was to declare my desire and act on it. The rest was up to God or Spirit or the Universe, all of which are only higher expressions of me, higher expressions eager to step fully into my life...as soon as I step fully into theirs. Fearlessly.

“Act as though and make it so,” I’d written a few years earlier in the The Wisdom Keepers Training, a multimedia personal-growth manual I’d created. It was time to live that statement more baldly than I’d ever dared.

The haircut was a beginning. After all, as Adam had said to me the previous week when he’d sprung for a haircut at the same salon, “If I’m too scared to spend $40 on a haircut, why would the Universe give me a multimillion-dollar home?”

Indeed.

The next day was September 11. I would be back in L.A. for my daughter’s 11th birthday, and I planned some neighborhood reconnoitering on my own before joining Guinevere and her mother for the day’s festivities.

September 11 is about many things for many people. That’s the day, of course, when Al Qaeda terrorists forced a passenger plane to slam into New York’s World Trade Center. Many say that those emblematic towers should never have crumpled at the impact. That they did carries for me a significance even more earth-shattering than the tragic loss of life and property: An unexpected force took down established structures of order and convention, destroyed the indestructible and offered us an opportunity to look fearlessly at our own outmoded structures — inner and outer.

If, like the rest of the world in 2001, I was too shocked to see anything but the immediate horror, in the years since I’ve noticed that old constructs have often fallen away dramatically for me on September 11. In fact, in writing this book, I now see that 9/11 carried paradigm-altering significance for me even before the events of 2001. It was in 1997, as I’ve already written, that events triggered a move to Sedona that would knock down the bulwark of my identity. Two years later, in perhaps the ultimate life-changing event, my daughter was born.

On Saturday, that symbolic airplane smashed into both my professional and home life. In a flash as fiery and unexpected as that of any terrorist attack, my life as a writing coach and workshop facilitator collapsed in a smoldering heap. I knew that if I was to continue coaching and teaching, that the work would have to look different. My old structure, I now saw, carried traces of the fear-based codependency I was ejecting from my life. It had to come down. Any new structure would have to follow the same road beyond courage and surrender I was paving for myself.

Once again I felt liberated...and disoriented.

A personal 9/11 experience of radical evolution not suitable for the faint of heart...

(Although this is still evolving, I’m now looking to replace my current model of ongoing coaching sessions with one-time two-hour, half-day or full-day intensives: one-on-one consultations that would focus on life at least as much as they would on creativity: a personal 9/11 experience of radical evolution not suitable for the faint of heart.)

The other aha came as I drove through neighborhood after westside L.A. neighborhood that day, scouting for a place I’d like to live. Once again, money was not to be a deciding factor.

I was on a quest beyond the sensible and conventional. I was on a quest to discover the heart of my desire.

Sometimes, the heart of desire is transparently clear. Sometimes, it’s buried under years of convention, decades of disappointment and lifetimes of fear. Writing, for me, was such a hidden treasure, long invisible to a conscious mind paralyzed by fear. It’s been many years since that treasure was unearthed. But it took single moment in the run-up to my Albuquerque exodus for me to finally feel its significance.

I was on the phone with my friend Sander, at the tail end of a harrowing conversation during which I had finally agreed to give notice on my Albuquerque rental, despite not knowing how I could financially manage my L.A. move. (Sound familiar?)

“Take the rest of the day off,” Sander urged.

“No,” I said, “without thinking. “I think I’ll go to Starbucks to write.”

Sander argued with me, tried to convince me not to work.

“You don’t understand,” I countered. “Writing is the only thing that makes sense.” Then, to my surprise, I started to cry. I’d always known that writing lay at the heart of my desire. But it was an intellectual “knowing.” Until that moment, I’d never felt it. That same visceral response was waiting for me in Beverly Hills.

On my way back to Albuquerque in February, I stopped in Sedona for a night, to see Guinevere in a school play. That afternoon, her mom and I went for lunch at New Frontiers, the local health food store that’s as big an energy vortex as any of the town’s well-known red-rock formations. We were standing at the deli counter when we ran into Sao, a shamanic astrologer neither of us had seen since we were married.

After running through the same set of questions with Guinevere's mom, Sao turned to me.

“How old are you?”

“Fifty-five.”

“When’s your birthday?”

“October 3.”

He paused, staring into me.

“You’re entering into the most powerful period of your life,” he intoned. “Whatever you truly desire will be yours.” He paused again. “Start asking yourself this question: By the time you turn 57, who do you want in your life, what do you want to be doing in your life and where do you want to be living?”

To the first two parts of Sao’s question, I heard nothing. At “where do you want to be living,” I heard, with crystal clarity from somewhere deep inside me, Beverly Hills.

I was already planning my L.A. move and I had considered some areas of town I thought might be appealing. None was Beverly Hills. Not because of the cost. It just wasn’t on my conscious radar. I gave it more credence a few weeks later, back in Albuquerque. I was walking through a Target parking lot when I passed a silver Ford Escort bearing a faux California license plate under the grill. Instead of a license number was the name Beverly Hills.

Still, I didn’t know what to do with it. And when I did my 9/11 neighborhood meander, Beverly Hills wasn’t high on the travel agenda. Instead, I covered a swath of territory east of Beverly Hills, searching out, as I had vowed to do on my way to the Palazzo apartments, the feeling. I never found it.

Suddenly, on the eastern fringes of Beverly Hills, I was done. Although I'd made no discoveries, I had launched my exploration, and that felt good. Besides, it was lunchtime and I needed to get over to see Guinevere. I called to see if we could all get together for lunch.

“We’ve only just finished breakfast,” Aalia, her mom, said. “Why don’t you just grab a light bite for now. Guinevere will be hungry again in a few hours, and then we can have lunch.”

I figured fast food, then realized I wasn’t in a fast-food part of town.

I studied the map on my iPhone for inspiration. To my surprise, I had one: the Beverly Hills Whole Foods Market. I remembered it from a previous visit and knew it was only a mile or so away. Soup and a bread roll would be perfect.

As I walked into the store, I suddenly felt as though it was my Whole Foods, as though I shopped there all the time — a feeling I’d never had about Whole Foods in either Albuquerque or Santa Fe. I filed it away as curious and got my lunch. After lunch, I walked down the block to The Crescent Beverly Hills, a luxury apartment building I’d noticed from the car. A doorman smiled and opened the door. No leasing agents were on duty over the weekend, he told me, then scribbled a name and number for me to call on Monday. As I left, I experienced that same natural feeling I’d felt in the market.

Back in the car, I took North Crescent to Santa Monica Boulevard, and then North Beverly to westbound Wilshire for the 20-minute drive to Guinevere’s. Now, everything about the area felt normal, natural, home-like. I could see myself sitting in the Starbucks on North Beverly, working on this book. I could see myself on the patio of a Wilshire café, people-watching over lunch. There was a Twilight Zone quality to the experience that left my mind in a muddle.

A few minutes later, I had crossed the city line back into Los Angeles. I gazed at all the Westwood high-rise apartment towers and tried to imagine myself living there. I couldn’t. It was like forcing Cinderella’s glass slipper onto her stepsister’s foot. There was no way it could fit without causing discomfort and pain. In a flash, I was back at the New Frontiers deli counter, hearing “Beverly Hills” in response to Sao’s question. And just as quickly, I started to cry.

The quest was over. I had found the heart of my desire.

How would I realize that desire? There was only one way: to “act as though” and leave the rest in more capable hands.


Adapted from Acts of Surrender: A Writer's Journey of Faith, my memoir-in-progress. Please share as you feel called to. But please, also, include a link back to this post.

Previous excerpts were published here on July 30, August 25, September 1, September 9 and September 10.


Photos by Mark David Gerson: Laguna Beach, Sandia Mountains, the fountain at The Grove, California license plate. Other photos: source unknown.

Friday, July 30, 2010

Acts of Surrender 2: Radical Rebirth

Amazing the things a soul will sign up for just so it can become a writer and have a good story to tell.
~ Mark David Gerson


There's a scene in my novel The MoonQuest where a character who's been living for many years in the safe solitude of a desert oasis hears a voice on the wind that urges him to leave, despite the blinding sandstorm raging beyond the palm trees that ring his insular retreat.
“You must go," the wind insisted.

“Go where?" Kyri asked. "There is nowhere to go. I will die out there."

“Stay, and you are already dead," the wind replied.
I thought about that scene in the days after I returned from my last visit to Los Angeles. I thought about it because of something that happened during the trip and because of something that happened when I got back to Albuquerque.

The L.A. piece of the story occurred as I was walking from my hotel to a Hollywood Starbucks. The phone rang. It was my friend Joan.

"So how do you feel in L.A.?" she asked. "Do you feel joyful? Abundant? Do you feel prosperous?"

I didn't feel any one of those things.

But a single word kept popping into my head as she asked: "Alive."

"I feel alive," I replied.

I've described my planned move to Los Angeles in many ways over the months -- as a call to be answered, as a certainty that this was my right next place, as a surrender to an inner imperative. And while all these have been accurate and remain true, this was the first time I could link L.A. to my life...to life itself.

When I was there, I felt alive.

The Albuquerque piece was equally dramatic. A day after my return, my life here stopped working. No book sales. No new clients. No money coming in to meet even the smallest expenses. It was as though the well of miracles that had sustained me in Albuquerque had suddenly dried up.

I panicked. I grasped for solutions. I felt paralyzed, impotent, angry and scared.

After nearly a week of this, I realized that I felt dead. Not because the money had dried up. No, the money had dried up because I was dead.

Like Kyri in his oasis, my desert sanctuary had ceased to work for me. I knew I had to leave Albuquerque. But how?

"You have to give notice on your condo," my friend Sander insisted in his tough-love way when he called one Friday morning in the midst of my self-pitying despair.

I knew he was right, yet I couldn't see how I could take that particular leap of faith. How could I give up my rental when there was no money to move and no money to land? Hell, there wasn't even money to pay my Albuquerque bills.

Yet even as I argued and resisted, I knew deep inside that my resistance was futile. I knew in my heart that the only way to live was to leave. And the only way to leave was to leap off the highest cliff I'd ever encountered and trust that, as I always had been, I'd be supported.

Nearly 20 years ago, in the earliest months of my conscious spiritual awakening, I woke from a nightmare in which I'd been clinging to the roof ledge of an old-style office tower as an inner voice urged me to jump. I'd refused in the dream.

But in the days that followed, I took that dream image into meditation. In each of three sessions, I tried to let go of that old structure and failed. By the fourth, I was so uncomfortable and so annoyed with the process that I just did it. I unhooked my fingers from the stonework and fully expected to plummet down to the pavement in a messy splat.

Instead, I found myself floating gently, feather-like, until I landed in what I can only describe as the arms of God.

I wish I could say that I remembered that dream on the morning Sander called. I wish I could say that I surrendered joyfully and gracefully. Instead, I was childish, petulant and argumentative...paralyzed by fear.

When, in the moments after I hung up the phone, I recognized this as the pattern that had ruled too much of my early life, I knew I had no choice but to give my notice and step trustingly into the void -- as I'd done so often in the past, as the Fool does in just about every Tarot deck.

The moment I made the decision, even before I wrote and mailed the letter to my landlord, miracles started showing up. The most dramatic was a phone call from an online friend who knew about my L.A. plans but knew nothing of my current situation.

"I was driving to the gym," Adam said, "and I knew I had to call you. I don't know why."

During the course of our hour-long chat, we updated each other on our respective journeys. I said nothing about my perceived crisis, sharing only that I was moving to L.A. on faith -- with no sense of how I would either get there or live there.

"I've got plenty of space," he said. "Stay with me." He lives south of L.A. in Orange County. His street name? Spirit.

The next letting-go was my decision to treat L.A. as a radical rebirth, to sell or get rid of pretty much everything I own (for the sixth time in 16 years) and to step into my new life open, naked and ready for whatever new beginnings awaited me. As I had determined on my very first journey like this -- from Toronto to Nova Scotia in 1994 -- what couldn't fit in my vehicle would not make the journey. And as happened 16 years ago, someone has offered to store the few things I won't be able to fit in my car but that I need to keep (tax records) or choose to keep (journals, boxes of MoonQuests and Voice of the Muse books and CDs).

Two days after Adam's call, I had a visit from another online friend, this one clearly an ambassador from the City of Angels (his online sobriquet is Angel). The 24 hours of his angelic pampering took my mind off the move and its anxieties and, with no action on my part, sent me the most response to any of my Craig's List ads. Another set of miracles.

And the miracles have continued: unexpected gifts of cash, support and love; unexpected contacts and connections; unexpected validations and confirmations; and assorted serendipities, synchronicities and surprises.

I still can't tell you with absolute certainty why I'm moving to L.A. I could offer up myriad reasons to do with writing, coaching and teaching, or with the film business. I could talk about climbing down from the solitude of my mountain aerie to rejoin the world. I could say I miss the ocean, or that my daughter's mom is probably also moving there, which would give me easier access to a daughter I don't see nearly enough. I could say any of these things and they're all likely accurate.

But the deeper truth is that I'm moving to Los Angeles because I have no choice. I'm moving to L.A. because that's where I feel alive.

Even as fears and stresses continue to show up, I know with the deepest of certainties that this move heralds that radical rebirth I mentioned earlier, a rebirth into a wondrous life too amazing to imagine. All I can do in each moment is trust in that rebirth as I listen to the same spirit-wind Kyri heard and step into the unknown.
Barely aware of his actions, Kyri ... shouldered his way through the sand-filled air to the edge of the oasis, to an arch formed by two adjacent palms. Here, long before memory, he had passed into the oasis.

Spitting out the coarse grains that blew into his mouth, he stood uncertainly before this threshold. He turned back but saw nothing. Ahead, the palm arch grew fainter.

“Now," the palms moaned.

“Now," the sand rasped.

“Now," Kyri whispered, and stepped through the arch.”

1 • What can you do to feel more alive in your life?

2 • Where in your life is fear paralyzing you?

3 • Where in your writing or your life can you trust more fully? Where can you more fully allow faith to guide you?

4 • What challenging situations have you experienced that others could benefit from hearing about? Allow yourself to write about them from a place of openness, non-judgment and vulnerability. Allow yourself to write without censoring.

Adapted from Acts of Surrender: A Writer's Journey of Faith, my memoir-in-progress.


• Hollywood photos by Mark David Gerson: Palm Reflections; Hollywood Sign; Hollywood Blvd Billboard; Old-Style Office Tower; Kermit welcomes me to L.A., Jim Henson Studios.

• Excerpts from The MoonQuest: A True Fantasy (LightLines Media)
(c) 2007 Mark David Gerson

• Image of The Fool card from Joseph Ernest Martin's Quest Tarot