Showing posts with label gratitude. Show all posts
Showing posts with label gratitude. Show all posts

Sunday, March 27, 2016

Raising a Glass in Gratitude, for Every Moment in My Life

 It's always significant for me when Easter falls in March. Although Easter is not part of my religious heritage, this holiday that marks death and celebrates resurrection parallels two personally significant death and resurrection events in my own life: the death of my mother in 1984 and the resurrection of my creativity 10 years later, almost to the day.

My mother rarely pressured me to be or do anything other than what I chose to be or do, and for that I will always be grateful. Yet all parents carry expectations for their children, however unconscious, and all children tune in to that, even if they're not aware they're doing it. When my mother died on the evening of March 26, 1984, the burden of that unconscious awareness lifted. This is how I tell it in my Acts of Surrender memoir...

"As courageous as I had allowed myself to be while [my mother] was alive – to come out as a gay man, for example, or to quit a secure job for the risks of freelancing or to leave my hometown – all my choices and actions had been colored by how I thought she might respond and had been filtered through her world view. With her gone, all her hopes, fears and expectations for me were gone, too. Suddenly, without being conscious of it or of what it meant, I was free. It would take a few more years before I could begin to grow into that freedom, before I could let it unalterably transform me and my world."

One of the most dramatic expressions of that newfound freedom showed up on March 28, 1994. That was the day I penned the first words of what would become The MoonQuest. This, my debut novel, would come to stand as a metaphor for the unblocking of my stifled creativity: It takes place in a land where stories have been banned and storytellers put to death.

When it was finally published 13 years later, it would also launch a writerly career that has now produced 12 books (with a 13th on the way), a trio of optioned screenplays and three stage plays-in-progress.

However, just as my mother's passing did not unleash an immediate flood of creativity, nor did The MoonQuest: It would take me more than a decade to complete an initial draft of my second manuscript, The StarQuest. (Ironically, I started writing The StarQuest a few days after Easter in 1998.) The Voice of the Muse: Answering the Call to Write, my third manuscript but second published book, also didn't materialize for several years. And it wasn't until five or six years years ago that the real tsunami of creativity hit: It's only since 2010 that I have started and/or completed most of my books, screenplays and stage plays.

It's not surprising, then, that I greet this and every March with mixed emotion: with gratitude to my mother and sorrow at her absence, and with awe at the creative awakening that ignited 10 years later in a Toronto writing workshop I was teaching (a story I shared in my February 2016 newsletter). I will be raising a glass to both as the month draws to an end.

One final note: A year before her death from cancer, my mother confessed to me that she had made many poor choices in her life. I thought a lot about those regrets as I wrote my most recent novel, Sara's Year, the story of how one woman's abandoned passions inspire both her son and her oldest friend to live their dreams.

I am now 61, my mother's age when she spoke those words and when she died the following March. Like my mother's, mine has not always been an easy life and there are situations and circumstances that I sometimes wish had played out differently.

But unlike my mother and the Esther character in Sara's Year who borrows bits and pieces from my mother's life, I have no regrets. I recognize, not always happily, that all my choices and all my experiences have made me a stronger, more compassionate human being, a more insightful and creative artist and a more effective and intuitive coach, mentor and motivator.

Perhaps the greatest gifts of all were those very years when I didn't feel free to create and when I felt tied to my mother's hopes, fears and expectations. Like the caterpillar trapped in its cocoon, they forced me to push free to become the butterfly I now am.

So as I raise that glass, it will be in gratitude for every moment in my life – the blocked as well as the flowing, the deaths as well as the resurrections. And I will look forward to many more years of that same flavorful yet maddening goulash of love, fear, frustration and creation that comes together in every moment to shape each of our lives.

Photos: My mother on her second wedding day, some time in the 1970s • Me and my mother at a family gathering in the late 1960s • The current and original MoonQuest book covers.

Look for The MoonQuest, Acts of Surrender, Sara's Year and all my books in paperback or ebook from your favorite online bookseller or signed by me to you from my website.

And watch for The MoonQuest movie, the first installment in a trio of epic motion pictures based on my screenplay adaptations of my Q'ntana Trilogy fantasy novels.



Tuesday, March 22, 2011

It's Only Just Begun!

There's an exchange in The SunQuest between Ben, the story's main character, and Bo'Ra'K'n, the evil force that is never quite vanquished in The MoonQuest and The StarQuest.

"It's not over," Ben shouts.

"It's only just begun," Bo'Ra'K'n retorts with classic menace.

I gained a whole new perspective on that exchange Sunday evening after we wrapped shooting on The Q'ntana Trilogy preview film: All the footage may be in the can, but the road to getting our feature films onto the big screen has only just begun.

On the preview alone, there are hours and hours of editing to be done, a soundtrack to compose and final decisions to be made about the best form for this film to take in order for it and our project to convince investors to finance a MoonQuest feature. (The preview film is part of a presentation we will be making in the months ahead to potential MoonQuest-feature investors.)

Once funds start coming in, and I know they will, there will be a million additional things to consider, primary among them are finding a director, production designer and DP (director of photography) who hold a vision that can lay the foundation for the world of The MoonQuest.

I can't move forward, though, without looking back -- not only over our two weekends of principal photography, but to the months of preparation that preceded even that. And as I look back, I do so with a depth of gratitude that has no adequate words to describe it. I couldn't possibly name all those whose talent, time, skill, support and generosity have made it possible to get even this far. But there are three I must single out:

Kathleen Messmer, who so believes in The MoonQuest that she's bucking conventional wisdom and launching her production company (Anvil Springs Entertainment) with an ambitious, SFX- and VFX-heavy fantasy, and so believes in me that she's taken me into her home to make it possible for me to devote nearly all my time to this project.

Darryl Garcia, Jr., whose commitment to The Q'ntana Trilogy has been superhuman. Kathleen told me early on that there's nothing Darryl can't do, and he quickly proved her right. There's also little he's not prepared to do, which became clear when he stepped up from his casting-director role to fill director's shoes no one else dared take on. This was Darryl's first directing gig, and he performed brilliantly, passionately and creatively.

Daniel Zollinger, who took on the DP role when others found it too daunting and used his vision and creative power to transcend all the equipment, location and budget limitations we threw at him.

Then there's our cast. It took us two months and three casting calls to assemble this gifted company of professionals, all of whom volunteered their time and talent. Many so embodied their roles that they will always seem inseparable from them to me. Several moved me to tears repeatedly with their performances.

Brilliant acting has nowhere to go without the support of an able crew. There, too, we have been blessed with enthusiastic and capable men and women who not only worked without compensation but went above-and-beyond, doing whatever it took to make sure we got the footage we needed.

We also had many individuals and businesses lend and/or donate resources critical to a successful production -- from costumes and catering to locations and financial contributions.

As I talked to cast, crew and donors over the weeks leading up to the shoot and during our five days of principal photography, I was humbled -- not only by their dedication but by their gratitude at being part of this grand adventure, an adventure that had its unlikely genesis 17 years ago in the Toronto writing workshop that birthed The MoonQuest book.

I don't know exactly how the feature-film version of The MoonQuest will come together. All I know, with all the certainty I can muster, is that it will...and that this amazing group of incredibly talented, generous, passionate and committed individuals will have been instrumental in what I also know will be a huge success.

To all of you, for helping my dreams come true: Thank You!

Truly, it has only just begun...for all of us!

• For more information about the stories and the production or to make a financial contribution to the project, visit the Anvil Springs Entertainment website.

Photos (c) 2011 Mark David Gerson:
#1 - Our Sony EX-1 camera silhouetted against a Sandia sunset after our first day's location shooting (camera loaned to us by Modern Camera for the final weekend's filming)
#2 - The "martini shot," which is what the final shot before wrap is called. Here, a scene from The MoonQuest
#3 - Director Darryl Garcia, Jr. and DP Daniel Zollinger setting up a shot, with help from 1st AC Bryan Jones and 2nd AC Lani Wasserman
#4 - Cast and crew enjoy lunch, catered and donated by Andre's Catering of El Paso, TX. (Andre's donated breakfast and lunch for both days of location shooting)
#5 - Our production mascot: Nala, the blue-eyed, nine-week-old pit bull who spent this past weekend on set and stole everyone's hearts. (She nominally belongs to Robert Douglas Washington, who played Yhoshi. In actuality, Robbie belongs to Nala!)
#6 - The slate, in a rare moment of rest


To see more production photos, visit these three Facebook photo albums:
Cast Table Read
Weekend 1
Weekend 2