Showing posts with label The Fool. Show all posts
Showing posts with label The Fool. Show all posts

Tuesday, June 11, 2013

"Walk the Earth Naked, Clothed Only in Your Truth..."


This phrase, which has followed me relentlessly since it first made itself known in to me in a piece of unpublished writing back in 1996 and which finally pushed its way into print in Acts of Surrender: A Writer's Memoir, has taken on fresh significance in recent weeks, as I work to dissolve the inner barriers, unconscious until now, that have been holding me back from my next levels of success. 

Like the Tarot Fool, the predominant archetype in my life, this phrase is like a life-motto, a leitmotif, underlying much that propels me forward and reminding me that open-heartedness and vulnerability are not dangerous. Rather, they are the ultimate protection against all perceived threats. 

"Walk the earth naked, clothed only in your truth."
~ Mark David Gerson, from Acts of Surrender: A Writer's Memoir

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Friday, July 30, 2010

Acts of Surrender 2: Radical Rebirth

Amazing the things a soul will sign up for just so it can become a writer and have a good story to tell.
~ Mark David Gerson


There's a scene in my novel The MoonQuest where a character who's been living for many years in the safe solitude of a desert oasis hears a voice on the wind that urges him to leave, despite the blinding sandstorm raging beyond the palm trees that ring his insular retreat.
“You must go," the wind insisted.

“Go where?" Kyri asked. "There is nowhere to go. I will die out there."

“Stay, and you are already dead," the wind replied.
I thought about that scene in the days after I returned from my last visit to Los Angeles. I thought about it because of something that happened during the trip and because of something that happened when I got back to Albuquerque.

The L.A. piece of the story occurred as I was walking from my hotel to a Hollywood Starbucks. The phone rang. It was my friend Joan.

"So how do you feel in L.A.?" she asked. "Do you feel joyful? Abundant? Do you feel prosperous?"

I didn't feel any one of those things.

But a single word kept popping into my head as she asked: "Alive."

"I feel alive," I replied.

I've described my planned move to Los Angeles in many ways over the months -- as a call to be answered, as a certainty that this was my right next place, as a surrender to an inner imperative. And while all these have been accurate and remain true, this was the first time I could link L.A. to my life...to life itself.

When I was there, I felt alive.

The Albuquerque piece was equally dramatic. A day after my return, my life here stopped working. No book sales. No new clients. No money coming in to meet even the smallest expenses. It was as though the well of miracles that had sustained me in Albuquerque had suddenly dried up.

I panicked. I grasped for solutions. I felt paralyzed, impotent, angry and scared.

After nearly a week of this, I realized that I felt dead. Not because the money had dried up. No, the money had dried up because I was dead.

Like Kyri in his oasis, my desert sanctuary had ceased to work for me. I knew I had to leave Albuquerque. But how?

"You have to give notice on your condo," my friend Sander insisted in his tough-love way when he called one Friday morning in the midst of my self-pitying despair.

I knew he was right, yet I couldn't see how I could take that particular leap of faith. How could I give up my rental when there was no money to move and no money to land? Hell, there wasn't even money to pay my Albuquerque bills.

Yet even as I argued and resisted, I knew deep inside that my resistance was futile. I knew in my heart that the only way to live was to leave. And the only way to leave was to leap off the highest cliff I'd ever encountered and trust that, as I always had been, I'd be supported.

Nearly 20 years ago, in the earliest months of my conscious spiritual awakening, I woke from a nightmare in which I'd been clinging to the roof ledge of an old-style office tower as an inner voice urged me to jump. I'd refused in the dream.

But in the days that followed, I took that dream image into meditation. In each of three sessions, I tried to let go of that old structure and failed. By the fourth, I was so uncomfortable and so annoyed with the process that I just did it. I unhooked my fingers from the stonework and fully expected to plummet down to the pavement in a messy splat.

Instead, I found myself floating gently, feather-like, until I landed in what I can only describe as the arms of God.

I wish I could say that I remembered that dream on the morning Sander called. I wish I could say that I surrendered joyfully and gracefully. Instead, I was childish, petulant and argumentative...paralyzed by fear.

When, in the moments after I hung up the phone, I recognized this as the pattern that had ruled too much of my early life, I knew I had no choice but to give my notice and step trustingly into the void -- as I'd done so often in the past, as the Fool does in just about every Tarot deck.

The moment I made the decision, even before I wrote and mailed the letter to my landlord, miracles started showing up. The most dramatic was a phone call from an online friend who knew about my L.A. plans but knew nothing of my current situation.

"I was driving to the gym," Adam said, "and I knew I had to call you. I don't know why."

During the course of our hour-long chat, we updated each other on our respective journeys. I said nothing about my perceived crisis, sharing only that I was moving to L.A. on faith -- with no sense of how I would either get there or live there.

"I've got plenty of space," he said. "Stay with me." He lives south of L.A. in Orange County. His street name? Spirit.

The next letting-go was my decision to treat L.A. as a radical rebirth, to sell or get rid of pretty much everything I own (for the sixth time in 16 years) and to step into my new life open, naked and ready for whatever new beginnings awaited me. As I had determined on my very first journey like this -- from Toronto to Nova Scotia in 1994 -- what couldn't fit in my vehicle would not make the journey. And as happened 16 years ago, someone has offered to store the few things I won't be able to fit in my car but that I need to keep (tax records) or choose to keep (journals, boxes of MoonQuests and Voice of the Muse books and CDs).

Two days after Adam's call, I had a visit from another online friend, this one clearly an ambassador from the City of Angels (his online sobriquet is Angel). The 24 hours of his angelic pampering took my mind off the move and its anxieties and, with no action on my part, sent me the most response to any of my Craig's List ads. Another set of miracles.

And the miracles have continued: unexpected gifts of cash, support and love; unexpected contacts and connections; unexpected validations and confirmations; and assorted serendipities, synchronicities and surprises.

I still can't tell you with absolute certainty why I'm moving to L.A. I could offer up myriad reasons to do with writing, coaching and teaching, or with the film business. I could talk about climbing down from the solitude of my mountain aerie to rejoin the world. I could say I miss the ocean, or that my daughter's mom is probably also moving there, which would give me easier access to a daughter I don't see nearly enough. I could say any of these things and they're all likely accurate.

But the deeper truth is that I'm moving to Los Angeles because I have no choice. I'm moving to L.A. because that's where I feel alive.

Even as fears and stresses continue to show up, I know with the deepest of certainties that this move heralds that radical rebirth I mentioned earlier, a rebirth into a wondrous life too amazing to imagine. All I can do in each moment is trust in that rebirth as I listen to the same spirit-wind Kyri heard and step into the unknown.
Barely aware of his actions, Kyri ... shouldered his way through the sand-filled air to the edge of the oasis, to an arch formed by two adjacent palms. Here, long before memory, he had passed into the oasis.

Spitting out the coarse grains that blew into his mouth, he stood uncertainly before this threshold. He turned back but saw nothing. Ahead, the palm arch grew fainter.

“Now," the palms moaned.

“Now," the sand rasped.

“Now," Kyri whispered, and stepped through the arch.”

1 • What can you do to feel more alive in your life?

2 • Where in your life is fear paralyzing you?

3 • Where in your writing or your life can you trust more fully? Where can you more fully allow faith to guide you?

4 • What challenging situations have you experienced that others could benefit from hearing about? Allow yourself to write about them from a place of openness, non-judgment and vulnerability. Allow yourself to write without censoring.

Adapted from Acts of Surrender: A Writer's Journey of Faith, my memoir-in-progress.


• Hollywood photos by Mark David Gerson: Palm Reflections; Hollywood Sign; Hollywood Blvd Billboard; Old-Style Office Tower; Kermit welcomes me to L.A., Jim Henson Studios.

• Excerpts from The MoonQuest: A True Fantasy (LightLines Media)
(c) 2007 Mark David Gerson

• Image of The Fool card from Joseph Ernest Martin's Quest Tarot

Thursday, April 1, 2010

A Different Kind of April Fool

Legendary sci-fi author Ray Bradbury says that writing is about leaping off cliffs and trusting that you'll sprout wings on the way down. It's the way of the Fool in the Tarot: that surrendered leap of faith into the void that alchemically transforms something that, in the moment, appears to make no sense into art.
Life is like that, too. And why wouldn't it be when the precepts of one apply equally to the other, when the first rule of both is that there are no rules.

Not only do I do my best to write that way, I do my best to live that way. It's scary, but ultimately satisfying. And even though it means living and writing without a net, those wings Bradbury talks about have never failed to appear.

They first showed themselves to me in a dream I had nearly 20 years ago. In it, I was clinging to the roof ledge of a 1950s-style office building while an inner voice kept urging me to jump. I didn't...I couldn't. And I woke up scared and upset.

In the days that followed, I took that dream image into meditation. In each of three sessions, I tried to let go of that old structure and failed. By the fourth, I was so uncomfortable and so annoyed with the process that I just did it. I unhooked my fingers from the stonework and fully expected to plummet down to the pavement in a messy splat.

Instead, I found myself floating gently, feather-like, until I landed in what I can only describe as the arms of God.

I'm in that space today, as I feel a powerful pull to leave the embracing support of Albuquerque's Sandia Mountains and move to Los Angeles...to let got the comfort of the known for the shifting tectonic plates of the unimaginable. Nothing about such a move makes conventional sense. And there are plenty of people who have been happy to remind me of that. In this moment, I can't even see how it's possible.

Yet I'm reminded of a recent interview Apple's Steve Jobs gave, in which he said, "You have to trust in something -- your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life."

He's right. It's never let me down. I've made many moves and done many risky things that defy logic and convention. And although I've experienced discomfort along the way, the ultimate rewards have far outweighed the fallout.

I wouldn't be in Albuquerque right now -- or even in the U.S. -- had I not honored a call, back in 1997, to leave Toronto with everything I owned in the back of a minivan and just hit the road. Three months of seemingly random journeying landed me in Sedona, AZ and gifted with a new country, a new daughter and a new life. A similar if tenfold-longer journey brought me to New Mexico and allowed me to gift the world with two new books.

I've discovered that once I commit to the highest possible path and purpose, a trinity of principles is always at play:
1) Trust
2) Let Go
3) Leap

First, I trust the voice of my deepest heart, which is also the voice of my divinity, my god-self, my muse, my highest imperative. Next, I let go of all resistance, all clinging and all clutching (which doesn't mean I'm not afraid and which also doesn't mean I have to know how it's possible). Finally, I leap into the void -- just like that Fool in the Tarot.

Of course, I'm not always without resistance. "You want me to do what!?" I've been known to exclaim when presented with a next step. That happened a few years ago, when an inner voice interrupted my on-the-road reveries and urged me to refresh, revise and overhaul my modest Voice of the Muse eBook into the expanded and published form that's now won two awards.

Yet once the initial shock dissipated (my novel, The MoonQuest, had been out barely a month at that point), I surrendered to the higher imperative. I trusted, let go and leapt...and watched all the requisite resources begin to fall into place, often miraculously.

Miracles are present in every moment of our lives. It's our limited vision that prevents us from seeing them. It's our limited sense of what's possible that prevents us from believing in them. It's our fear that prevents us from embracing them.

Those miracles are available to us equally magnificently in our writing and in our lives. What else would you call the logic-defying cohesion of The MoonQuest, written with no conscious notion of its story, except as the words of that story moved through me onto the page? That same miracle is repeating itself in The MoonQuest's sequel, The StarQuest, whose first draft miraculously displayed the same coherence when, once again, the story had only revealed itself word-by-word.

As I move into my California countdown (I expect to be living there in time for my keynote talk at San Diego's Body Mind Spirit Expo in October, on my birthday weekend), I know that the miracles required to make the move possible, graceful and prosperous will show themselves to me -- as I trust, let go and, always playing the Fool, take that surrendered leap of faith into the void.

Trust. Let Go. Leap. It's now a chapter in The Voice of the Muse. It's the only way I know how to live.

In my writing as in my life, it always works.

• Image of The Fool card from the Osho Zen Tarot, published by St. Martin's Press. Illustrated by Ma Deva Padma

• I encountered the car with the Beverly Hills front plate in a Target parking lot, one of many signs validating my leap of faith


MY FINAL NEW MEXICO EVENTS

Because of my planned move to California, my spring series of Albuquerque writing events is my last. Coming up in April and May is

• a 5-week Voice of the Muse Coaching Group, launching on April 13 (with April 4 the deadline to save on the registration fee), and

• a series of full and half-day workshops covering memoir-writing, character development, editing/revision and birthing your book.


• I'll also be giving two seminars at the Screenwriting Conference in Santa Fe on June 3 and 4 (free with conference registration).


BEYOND NEW MEXICO (APRIL / MAY)

If you can't make it to New Mexico, join a separate 5-week Voice of the Muse Coaching Group, which I'm offering over the phone via conference call, starting Sunday, April 11. All you need to participate is a telephone with long-distance access.



Sunday, July 13, 2008

Trust. Let Go. Leap.

I'm fond of saying that there's no difference between creativity and life, that the precepts of one apply equally to the other, that the first rule of both is that there are no rules.

Yet I've discovered that once you commit to the highest possible path and purpose, there's a trinity of principles that's always at play:

1) Trust
2) Let Go
3) Leap

First, you trust the voice of your deepest heart, which is also the voice of your divinity, your god-self, your muse, your highest imperative. Next, you let go of all resistance, all clinging and all clutching (which doesn't mean you're not afraid). Finally, you leap into the void -- just like the Fool in the tarot.

Legendary sci-fi author Ray Bradbury says about writing that you must leap off cliffs and trust that you'll sprout wings on the way down.

Not only do I do my best to write that way, I do my best to live that way. It's scary, but ultimately satisfying. And even though it means living and writing without a net, those wings Bradbury talks about have never failed to appear.

Of course, I'm not always without resistance. "You want me to do what!?" I have been known to exclaim when presented with my next step.

That's what happened 11 months ago, when an inner voice interrupted my on-the-road reveries and urged me to refresh, revise and overhaul my modest Voice of the Muse eBook into an expanded and published form.

Yet once the initial shock dissipated (my novel, The MoonQuest, had been out barely a month at that point), I surrendered to the higher imperative.

I trusted, let go and leapt...and watched all the requisite resources begin to fall into place, often miraculously.

Now, not only have my wings sprouted, they're lifting me higher and higher and higher. The Voice of the Muse is selling well (and helping to sell The MoonQuest), and the book and its companion meditation CD have received great reviews and hyper-enthusiastic reader testimonials.

Trust. Let Go. Leap. It's a chapter in The Voice of the Muse. It's the only way I know how to live.

In writing as in life, it always works.

Read "13 Rules for Birthing Your Book" from The Voice of the Muse: Answering the Call to Write.

Order your Amazon copy of The Voice of the Muse book and/or CD . For a signed copy, order directly from the publisher.

Image of The Fool card from the Osho Zen Tarot, published by St. Martin's Press. Illustrated by Ma Deva Padma.