Showing posts with label muse stream. Show all posts
Showing posts with label muse stream. Show all posts

Wednesday, January 13, 2016

Destination Unknown: The Magic of the Open Road

In the following exchange with a fellow screenwriter on Facebook, I spell out why I believe that control is anathema to the creative process – in both writing and life. 

It's ironic that my Facebook colleague chooses to use the "unmapped drive" example to criticize what he terms the wastefulness of unplanned writing. Going for a random, unplanned drive is the example I always use in my workshops and coaching sessions to celebrate the magic of discovery. It's also the basis for what I call "writing on the Muse Stream," which I explore in Organic Screenwriting: Writing for Film, Naturally and all my books for writers.

Other Writer: The problem I think a lot of screenwriters have is not being able to nail down exactly what your ending is before starting. That would be like getting in the car for a weekend getaway and not having any idea where it is you're going... just driving... aimlessly, wasting a whole hell of a lot of gas. This is where the idea of mapping comes in... if you know where you're going, you'll get there, and usually in the most direct line.

MDG: I'm glad you used the analogy of going for a drive without a fixed destination in mind because that's precisely how I like to go for drives. It's much more fun to get in the car, start it up and see where it will take me. Nearly always, it takes me to a place I never could have imagined going, along a route I never would have thought of taking.

As it turns out, it's also how I write and live my life. It can be scary sometimes. It can certainly feel out of control. But those are the places where magic resides and miracles thrive. And what's life and creativity if not a magical, miraculous journey of wonder and surprise?

To go back to your "out for a drive" analogy: When I write, I sit in the passenger seat of the experience; the story is in the driver's seat. The story is in the driver's seat because it's its own entity, if you will, one that knows its direction and imperative far better than I ever could. And if I let it take charge, it will introduce me to characters and situations my controlling mind would never have thought up.

As for my life, if I had set a fixed destination and mapped out the journey, I would never have written 12 books and a trio of optioned screenplays (in fact, it's unlikely I ever would have been a writer), I would not likely be living in the U.S. (I'm Canadian), and I doubt that I would be a parent...just to name three pretty amazing life-altering experiences.

Just like the greatest bulk of an iceberg, my deepest desires and greatest stories often lie largely hidden in the ocean of my unconscious mind. The only way I know to access them is through those leaps of faith that keep my controlling mind out of the process.

In the end, my directions in writing and life are neither aimless nor energy-wasting. Rather, they're guided by a wiser part of myself that knows the destination and the way to reach it far better than the limits of my conscious mind ever could, as powerful and wonderful as that conscious mind is. That guidance is the best GPS there is.

Sunday, August 3, 2014

Encounters with My Wisest Self

Just over a month ago, a UK fan of my Acts of Surrender memoir sent me a note on Facebook: “You mention Dialogues with the Divine in your memoir,” she wrote, “but I can’t find it anywhere. Where can I get a copy?”

“Unpublished,” I wrote back, “and likely to remain so.” Even as I hit SEND, though, I began to suspect that this reader had been channeling my Muse and that it might finally be time to dust off Dialogues with the Divine. To be honest, I wasn’t initially keen on resuscitating a manuscript that was even more personally raw than Acts of Surrender had been. Then I reread my original Foreword, and I was hooked. Several intense weeks of editing later, Dialogues with the Divine: Encounters with My Wisest Self is out! Here's an excerpt from that Foreword, altered little since I wrote it in 2000.

The “dialogues” that make up my newest book — which is also one of my oldest — emerged from the silence and solitude of a fiery autumn and frozen winter. It was October 1, 1996 and I had just moved a hundred miles north from Toronto to Penetanguishene, a summer-resort town on the shores of Lake Huron. For the fifth time in two years, I had packed my few belongings and followed my heart along the asphalt road of my soul’s journey.

Why was I there? If I needed a reason for the world, it was to work on The MoonQuest. Whatever else materialized, I hoped that a fourth draft would. After all, my novel's earlier drafts had been largely written during just such a time of retreat.

Although The MoonQuest was a constant theme during those five months, I made little progress on it. Instead, even as I struggled to move the novel forward, other words came, and I soon found myself being propelled on an unexpected journey of healing through writing.

Mine was a heart-sickness — neither physical- nor life-threatening. But it was soul- and spirit-threatening. For without trusting that it was safe to let the world more fully into my heart and my heart more fully into my words, I could never take my writing and life to deeper levels, never fully live the precepts I taught in my seminars and workshops.

If you have followed my words here and elsewhere, you know that I have always believed that creative writing is a metaphor for creative living, that the principles that work for one unfailingly work for the other: faith, trust, surrender and openheartedness; vulnerability, truthfulness and flow. And, of course, being in the moment.

Opposing all of these is fear.

If fear no longer paralyzes me, as it once did, it still occasionally slows me down. It’s the core issue of our time, triggering everything from writer’s block to war. It’s the only barrier to flow — of words, of abundance, of life, of love.

Many layers of fear had dissolved for me by the time I installed myself at 296 Champlain Road two days before my 42nd birthday. But more healing awaited, as it always does.

Opportunities for growth arise out of every breath when we are open to them. Often they arise most clearly when we step into the stillness. For me, this place of stillness was a sparsely furnished one-bedroom flat across the road from the spirit-filled waters of Georgian Bay. Sharing my rear wall was a larger house, home to Angela and Jim Emery and their nine-year-old son, Jeremy. Jeremy instantly adopted me, and and his outpouring of unconditional love was among the first challenges — and opportunities — of this journey. Others followed in rapid succession, relating as much to my life as to my writing.

Meditative or inner dialogue is a technique I have often taught in my workshops. Once in a meditative state, you ask a question and then allow the answers to emerge through what I call “writing on the Muse Stream” — letting the words flow through you onto the page, without stopping for judgment, censorship, editing, correction or second thoughts. Whether you believe the answers come from God, your Muse or a deeper part of yourself, they do come…when you let them.

My first written words of that five-month retreat came as inner dialogue, though not one that my conscious mind had initiated. Instead, as I sat in meditation one morning, I heard the words, “I just want to say something.” It was an echo of a recent nightmare and when I engaged it in conversation, I discovered a part of me that I had unwittingly denied.

By mid-January, these occasional dialogues were surging out of me, sometimes two or three times a day, and “dialogue with the divine” had replaced “inner dialogue” as the heading in my journal.

Generally, the first words of dialogue came the moment I closed my eyes. When that happened, I reached for my pad and, eyes still shut, recorded what I heard, sensed, experienced. More often than not, the power of the words evaded me. At times I resented them. In that respect, I was no different from my writing-workshop participants who, when writing for the first time from a place of heart and truth, often reject their work as meaningless or pedestrian. It wasn’t until later, as I typed and read over the day’s writing, that I began to sense its transformative power.

Through this ongoing dialogue and the experiences that sparked it, I began to open my heart wider and wider still, to trust deeply and more deeply still, to surrender more and more completely to a wisdom and divinity I had never before acknowledged. Through them I began to embrace more fully my vision, my power, my strength and my truth. Through them I began to discover new ways to write, new ways to teach, new ways to live, new ways to be.

I had set out to write a different book. I tried to write that other book. Instead, Dialogues with the Divine appeared — not initially as a book, but simply as an outlet for all that floated into consciousness.

Who is the Divine? What was the presence I engaged when this book spilled out of me? It is the presence that resides in all of us…the light that shines in and through each of us…the presence that infuses everything and everyone at all times and in all ways. There are many names for it: Muse, God/Goddess, Infinite Mind, Great Spirit, Higher Self or, as I put it in this book’s subtitle, Wisest Self. In short, it is the Divine, part each of us and all of us, yet, at the same time, something of which we are all part.

Who was I speaking to? Who was speaking to me? That still small voice that is not really small at all. It is the largest, deepest, truest part of ourselves, if we but open to it. It is the divinity we all share, the divinity we can all touch as we write and live.

My dialogues with the Divine began out of need — not the need to write a book, but the need to reconnect with my heart. I share them with you now, knowing that my words are your words, my fears are your fears, my strength and courage are yours, as is my love and wisdom. For we are all one beneath the skin of individuality. We are all one in the divinity and divine presence of love.

Who is the Divine? It is you, me, God, the flowers in your garden, the trees in your yard, the kitten that cuddles on your lap as you read these words. It is the very words themselves. May they move, guide and inspire you as they did and still do me. And may you move from them to your own direct links with your own divinity.

Adapted from Dialogues with the Divine: Encounters with My Wisest Self 
© 2014 Mark David Gerson

– along with Acts of Surrender
The MoonQuest and my other books – 
on most Amazon sites and in all major ebook-stores


Photo: The house at 296 Champlain Road in Penetanguishene, Ontario where Dialogues with the Divine was born. I lived in the front granny flat, which was originally built as a country store.

Sunday, April 1, 2012

The Power of Your Pen

Pick up your pen and hold it in your hand. Feel its weight and texture. Study its form and aspect. Sense its potential.

Can you see or imagine the ink that sloshes around in the barrel as you move it this way and that? Can you visualize the waves that crash from one shore to the next — waves of blue or black or, if you’re more fanciful in your implements, magenta or fuchsia?

Your words bob up and down in that sea of ink, in that ocean of story that ebbs and flows from barrel to nib to page.

Don’t push your pen as you set it down on the pristine whiteness of the virginal page. Follow it. Allow it to carry you on a wondrous journey as you surrender to it and allow it to chart the course of your creativity.

Follow your pen. Let it guide you on a safari into the darkest of Amazon jungles, the uncharted territory of your deepest self.

Your pen will map out the journey, inking your itinerary as it forms before your eyes, allowing you and your readers the freshness of new experience.

Follow your pen, as I do at this moment, not knowing where it will carry me, allowing my terror to exist side-by-side with my awe and wonder, each word emerging despite my resistance to it.

I, too, fear the unknown, despair at the necessary surrender. I, too, long to know how this sentence will end and who I will be when it does.

I cannot know...need not know...at times dare not know.

All any of us can do who are called to this journey is place one word after the next and then another and then another, allowing the power of our pen — or of our fingers skipping across the keyboard — to chart the way, pen stroke by pen stroke, pixel by pixel, moment by moment, breath by breath.

~ excerpted from The Voice of the Muse: Answering the Call to Write by Mark David Gerson (c) 2008

For additional tips and inspiration, pick up a copy of The Voice of the Muse: Answering the Call to Write and The Voice of the Muse Companion CD from my online bookstore, and be sure to ask for a signed copy of the book. Both are also sold on Amazon

The ebook is available for Kindle, Nook, iBook and Kobo. Download an MP3 version of the CD at CD Baby, iTunes and Amazon

Fountain pen images: #1 unknown; #2 Athena www.bit.ly/Hxv2Cd


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Wednesday, March 28, 2012

The Magic of Story


Without the magic of writing, the magic of reading could not exist.

If you have a story in you (and who doesn't?), now is the time to listen to its call and start freeing it onto the page.

You're not sure how? Start with one word, any word. Then, surrendering yourself unconditionally to your story, add another and another. And then another. Don't think about what the story is or where it's taking you. Don't struggle for the right word, right character or right plot. Just start, follow that free-flowing river of creativity I call your Muse Stream and trust in the journey...the journey beyond your imagination.

Need some help launching your story or keeping the momentum going? The Voice of the Muse: Answering the Call to Write can help -- with inspiration, tools, techniques and exercises to get you writing and keep you writing.

And whether you're writing or not, it's always a good time to pick up a book and dive into the storytelling world of its author.

Original photo at Bookshelf Porn

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Tuesday, January 10, 2012

The Magic of the Open Road: In Creativity & Life

In the following exchange with another writer in a screenwriting group on Facebook, I spell out why I believe that control is anathema to the creative process -- in both writing and life. 

It's ironic that my Facebook colleague uses the "unmapped drive" example to criticize what he terms the wastefulness of unplanned writing. Going for a random, unplanned drive is the same example I have long used in my workshops and coaching sessions to celebrate the magic of discovery. It's also the basis for what I call "writing on the Muse Stream," which I explore in The Voice of the Muse: Answering the Call to Write.

Other Writer: The problem I think a lot of screenwriters have is not being able to nail down exactly what your ending is before starting. That would be like getting in the car for a weekend getaway and not having any idea where it is you're going... just driving... aimlessly, wasting a whole hell of a lot of gas. This is where the idea of mapping comes in... if you know where you're going, you'll get there, and usually in the most direct line.

MDG: I'm glad you used the analogy of going for a drive without a fixed destination in mind, because that's precisely how I like to go for drives. It's much more fun to get in the car, start it up and see where it will take me. Nearly always, it takes me to a place I never could have imagined going, along a route I never would have thought of taking.

As it turns out, it's also how I write and live my life. It can be scary sometimes. It can certainly feel out of control. But those are the places where magic resides and miracles thrive. And what's life and creativity if not a magical, miraculous journey of wonder and surprise?

To go back to your "out for a drive" analogy: When I write, I sit in the passenger seat of the experience; the story is in the driver's seat. The story is in the driver's seat because it's its own entity, if you will, one that knows its direction and imperative far better than I ever could. And if I let it take charge, it will introduce me to characters and situations my controlling mind would never have thought up.

As for my life, if I had set a fixed destination and mapped out the journey, I would never have written two award-winning books and three optioned screenplays (in fact, it's unlikely I ever would have been a writer), I probably would not be living in the U.S. (I'm Canadian), and I doubt that I would be a parent...just to name three pretty amazing life-altering experiences.

Just like the greatest bulk of an iceberg, my deepest desires and greatest stories often lie largely hidden in the ocean of my unconscious mind. The only way I know to access them is through those leaps of faith that keep my controlling mind out of the process.

In the end, my directions in writing and life are neither aimless nor energy-wasting. They're simply guided by a wiser part of myself that knows the destination and the way to reach it better than the limits of my conscious mind, as powerful and wonderful as it is, ever could. That's my GPS.

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Photo credits: Car, Hub Garage; iceberg, Results Driven Business Coaching

Friday, August 5, 2011

You Can Write (Yes, You Can!)

Close your eyes and remember. Remember the stories you invented...
Remember wonder and imagination... Remember make-believe...



You can write.

If you can read these words, you can write.

You're saying "I'm not creative" or "I can't make up stories" or "I don't know how."

Well, you are, you can and you do. And you can do it without struggle.

Whoever you are, whatever your background, whatever your education, you can write -- in ways that bring meaning to your life, in ways that touch others.

The ability exists in all of us. We were born with it, with a unique voice, a unique way of seeing and describing the world, a unique palette of textures, images and hues with which to express what we feel, what we see, who we are.

As children we concocted imaginary places and playmates, soared with seagulls, raced with tigers. Close your eyes and remember. Remember the stories you invented. Remember wonder and imagination. Remember make-believe.

Watch your children, or your neighbor's children. Listen to the timeless stories they weave. We all crafted similar riches as children but, somehow, life got in the way. We grew more self-conscious. We were told not to make up stories. We feared being different. We were taught to write a certain way. We grew older, busier, more cautious. Slowly and without our being aware of it, the door to our creativity edged shut.

Now we wonder whether the key is lost for all time. It's not. That key remains within your grasp, always. It's your birthright. It's your story, your voice. And it has value.

There are many ways to unlock that door...

• Start by letting the child you were back into your life -- not to displace the adult you've become, but to enrich it.
• Start asking how and why again.
• Slow down.
• Run your hand over a tree trunk.
• Inhale the perfume of an autumn evening.
• Get up early and watch the sun rise.
• Study people. See how they walk. Hear how they talk. Make up stories about them.
• Pretend you're on vacation and start a journal, recording your impressions of people and places as though seeing them for the first time.

Try writing for 15 minutes without stopping, without thinking, without editing. You'll be amazed at how much you can write in such a short time. You'll be amazed at how good it is.

Don't censor yourself. Give yourself permission to write nonsense. Give yourself permission to begin without knowing where you're going. Writing is a voyage of discovery. Be open to the journey.

Look for books and groups that support your creativity, that let you tap into the writer you are. Find a quiet place and quiet time where you can write regularly. Find a quiet place within yourself.

Listen.

The stories are there.

Photo #1 + #2 by Mark David Gerson: Story, AK + Pyramid Lake, NV.


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Friday, April 1, 2011

Just Start...and Trust Your Inner Vision

Old Toshar: How do I start? This story has so many beginnings and no clear ending.
Na’an: Where all stories begin... Once upon a time.
~ The MoonQuest



Just start, and trust your inner vision.

Just start, and know that the words that long to pour from your heart will find their way onto the page — thought by thought, word by word, breath by breath.

For the words are there. The story is there. It exists already — in another dimension, a parallel reality. It exists with a life and an imperative of its own.

Just start, and know the words will flow. Know they will flow without having to know what they are or where they will carry you when you free your story to unfold onto the page.

See the words appear as magically as the lemon-juice ink we used as children to create invisible writing. Hold your page to the light — the light of your heart and the light of your truth — and let your words take shape.

Watch the letters form on the page. See them combine into words, the words join into sentences, the sentences unite into paragraphs and the paragraphs flow from page to page to page until the story is done, until the work is complete and you, who started with nothing but a blank page and faith in the power of your inner vision, are amazed and awestruck by the power of your pen.


• You'll find additional tips and inspiration on my website, where you can read my "Rules for Writing," sign up for my mailing list and read/hear free excerpts from The Voice of the Muse: Answering the Call to Write, from which this piece was adapted.



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Monday, December 13, 2010

Why Aren't You Writing?

Why aren’t you writing? You don’t know what to write? It doesn’t matter.

Write anyway. Place one word, any word, on the page. A single word. That’s all it takes.

That single word, whatever it is, will launch you on a journey into your creativity and beyond your imagination.

One word. That's all it takes.

Open any book to a random page, close your eyes and point.

Write that word.

What about the next word, and the word after that? And the word after that? What about sentences and paragraphs? What about a subject?

You are the subject.

I don’t mean you will be writing about yourself -- though you might be. You are the subject and your pen is sovereign. And that pen will carry you on an extraordinary journey of discovery, if you let it...writing flowingly and freely on the Muse Stream, letting the sentences unfold without your conscious mind getting in the way.

What you will experience is freedom from your mind, freedom for your story. When you write on the Muse Stream, you throw off the shackles of logic and leap into the inkwell of the unknown -- a well within which reside all the stories you could ever want to write, all the catharsis you could ever want to experience, all the emotion you could ever want to express.

It’s so simple.

Take the first word you write and, without thinking, write another. It needn’t flow logically from the first. Perhaps it’s an association -- "chair" makes you think of “table.” What does “table” remind you of?

Don’t think about it. Let the first word that comes to you, whatever it is, be the next word you write.

It doesn’t make sense? It doesn’t have to make sense. It may be better if it doesn’t.

Just let one word trigger another and then another, until something shifts - and it will -- and the flow is undammed. From there, that flow can carry you on a current of words, images and emotions. If you let it..

Why not let it? Why not write now? Why not pick a word at random from this blog post? Why write that one word and then another, and then another. Why not keep writing for 10 minutes or 20 or 30? Why not let the words take charge, propelling you forward on a journey of discovery, wonder and awe.

~ adapted from The Voice of the Muse: Answering the Call to Write (LightLines Media) (c) 2008 Mark David Gerson

Photo by Mark David Gerson: the Yellowstone River, the longest undammed river in the lower 48 states

Monday, July 7, 2008

Stephen King on Plot

"I won't try to convince you that I've never plotted any more than I'd try to convince you that I've never told a lie, but I do both as infrequently as possible.

"I distrust plot for two reasons: first, because our lives are largely plotless, even when you add in all our reasonable precautions and careful planning; and second, because I believe plotting and the spontaneity of real creation aren’t compatible. ...

"[M]y basic belief about the making of stories is that they largely make themselves. The job of the writer is to give them a place to grow."

~ Stephen King, On Writing

What's your relationship with plot and story? With spontaneity and creation? Do you feel the need to control the plot? Or do you let your stories "largely make themselves"?

For help in freeing your story to tell itself, check out the "Thirteen Rules for Writing in The Voice of the Muse: Answering the Call to Write and the shorter version on my website.

Saturday, July 5, 2008

Time to Write

Now is the time to write.

Now is the time to pick up your pen and touch its tip to your blank page.

Now is the time to set that flashing cursor to work filling your empty screen.

See the words take shape out of nothingness. Watch the once-paralyzing void vanish in a flood of words, thoughts and images.

Whatever yearns to find its way onto the page will do so if you allow it the freedom to travel the shortest distance imaginable -- from heart to hand to page.

Let your heart direct your hand.

You don't know what it is your heart cries out to express? Then let one word, any word, tumble onto the page. Then another. Then another.

It doesn't matter what those words are. They'll find their own rhythm and form. And if they don't end up being the right words, other words will replace them, in time.

For now, fill the void. With anything. Just fill it.

Do it. One word or one hundred. Place something on the page. Something. Anything.

Now, let those first words form a sentence, those first sentences form a paragraph and those first paragraphs cascade onto the page, one after the other, on the Muse Stream of free-flowing creativity.

That’s all writing is -- one word leading to the next, then to another. Then to another.

There. Now your page is no longer empty, your screen no longer blank.

You have written.

You have freed the words of your heart and taken the time to write.

Adapted from "Now Is the Time to Write III," in The Voice of the Muse: Answering the Call to Write.

Photo by Mark David Gerson: Yellowstone River, the largest undammed river in the lower 48 states, Yellowstone National Park

Sunday, June 15, 2008

On the Air with Mark David: Santa Fe Radio Café

Hear Mark David speaking about writing and about his two books on the Santa Fe Radio Café, a Santa Fe public radio interview that first aired June 12 on KSFR.

~ For a schedule of Mark David's upcoming interviews and other events and appearances, please check out the events widget in the sidebar.

~ For audio archives of other interview and links to audio excerpts and reviews/news stories, click here.

Sunday, March 16, 2008

The Muse Stream

I wrote The Voice of the Muse and The MoonQuest using the basic premise of my philosophy, what I call “writing on the Muse Stream.”

I call it the Muse Stream because I believe that when we surrender to our Muse, creativity pours through us as effortlessly as water in a free-flowing stream.

Writing on the Muse Stream means writing without stopping -- without stopping to think, edit, correct or grope for the right word. It means trusting that the words will flow from you freely, if you let them...that the next word will come as effortlessly as your next breath, if you allow it to be so.

Future posts will offer tips on how to get through those Muse Stream moments when you feel stuck. The best tip of all, though, is to keep your pen moving at all costs. It doesn't matter what you're writing, as long as you're writing!

You can always revise later. The time to write is now.